A Quote by Marie Antoinette
I have begun the 'History of England' by Mr. Hume. It seems to me very interesting, though it is necessary to recollect that it is a Protestant who has written it.
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At age 11, I went to a Jewish school. I speak Yiddish. I'm Church of England Protestant. My father was Catholic, and my mother was Protestant. My wife is a Muslim.
I have fond memories of growing up in beautiful England. It is very much a part of the fabric of me, even though I left when I was quite young. It's just a very different culture over there, filled with a profound depth of history.
The history of a battle, is not unlike the history of a ball. Some individuals may recollect all the little events of which the great result is the battle won or lost, but no individual can recollect the order in which, or the exact moment at which, they occurred, which makes all the difference as to their value or importance.
Mr. Crossley suddenly wondered why he was why he was worrying about the note. It was only a joke, after all. He cleared his throat. Everyone looked up hopefully. 'Somebody,' said Mr. Crossley, 'seems to have sent me a Halloween message.' And he read out the note: 'SOMEONE IN THIS CLASS IS A WITCH.' 6B thought this was splendid news. Hands shot up all over the room like a bed of beansprouts. 'It's me, Mr. Crossley!' 'Mr. Crossley, I'm the witch!' 'Can I be the witch, Mr. Crossley?' 'Me, Mr. Crossley, me, me, me!
Performing written music, even when I've written it, is not very interesting to me.
I was with the former president for over 54 years. I don't regret that; I feel very proud. It was necessary. It is history. Each step where we worked together was a privilege, and in terms of history, that was necessary.
It seems to me that on one page I recognized a portion of an old diary of mine which mysteriously disappeared shortly after my marriage, and, also, scraps of letters which, though considerably edited, sound to me vaguely familiar. In fact, Mr. Fitzgerald (I believe that is how he spells his name) seems to believe that plagiarism begins at home.
For thousands of years, men have written history, so it seems to me that most of what we've read is from the male point of view.
I have had this interesting love affair with London and England, though I don't know how London feels about me.
It is their nature, beautiful and simple. That you would destroy such beings, Mr. Lincoln, such superior creatures, seems madness to me.” “That you speak of them with such reverence, Mr. Poe, seems madness to me.” "Can you imagine it? Can you imagine seeing the universe through such eyes? Laughing in the face of time and death—the world your Garden of Eden? Your library? Your harem?
In America, much foreign policy seems contrived to be an exercise in political theory with no attention to history whatsoever. Yet there's a great reverence for history - though it's history as thumb-sucking, security blanket-nibbling self-congratulation.
I do read some of the scripts from America and, even though the themes or subject of the film is very interesting, and some of the scenes are very interesting, there is a tendency that they have to explain everything. There will be no dilemma. This guy was evil, and this girl was very sweet. And in the end, we'd have to see eight endings because we'd also have to know what happened to the uncle. It's like, "Are you kidding me?!"
Our family arrived in England in 1960. At that time I thought the war was ancient history. But if I think of 15 years ago from now, thats 1990, and that seems like yesterday to me.
Our family arrived in England in 1960. At that time I thought the war was ancient history. But if I think of 15 years ago from now, that's 1990, and that seems like yesterday to me.
For me, history is always personal. And it's how your personal history interacts with the history of your time. I'm very attracted to characters who were cursed, as the Chinese say, to live in interesting times.
Show me one thing here on earth which has begun well and not ended badly. The proudest palpitations are engulfed in a sewer, where they cease throbbing, as though having reached their natural term: this downfall constitutes the heart's drama and the negative meaning of history.
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