A Quote by Marie Brennan

I've only written two novels, neither of them published, where the book is dominated by a male point of view; in the 'Onyx Court' series, it's split roughly 50/50. — © Marie Brennan
I've only written two novels, neither of them published, where the book is dominated by a male point of view; in the 'Onyx Court' series, it's split roughly 50/50.
I do write, but for now I am keeping it all in the desk drawer. I have always written. The only book that I have published was "Revolution," during the election campaign, a book that contains both personal and political chapters. I have never been happy with what I have written, including three novels that, from my point of view, are incomplete.
I've published over 100 books - and that is divided about 50/50 adult and young adult. Lately, I have been writing more YA, which is such a great genre to write it. I don't have a favourite (I usually say it's the last book I've written), but certain books do stick in the mind. My very first YA novel, The Children of Lir, will always be special to me, and, of course The Alchemyst because it was a series I'd wanted to write for ages.
I just love the fact that all my pals are basically looked after. You know, we have these amazing deals, these guys split 50 percent. We have ownership 50 percent, all the bonuses 50 percent, and everybody's going to be alright. So going forward into the future, every one of these Millarworld projects, as we call them, 50 percent partners on everything. So it's just a really happy environment to be working in.
I published, privately, a collection of my serious poetry I had written over the years. I only published 50 copies, which I gave to friends, in a special deluxe edition. It was ridiculously expensive but I'm glad that I did it.
Pre-history tells us that our species used to be a hunter-gatherer society. This means that the job of raising a family was split 50-50 between the men and the women - the man's 50 percent share was to sit in the woods with a sharp stick, waiting for something to hunt to wander by, and the woman's 50 percent was to do everything else.
The press still thinks [global warming] is controversial. So they find the 1% of the scientists and put them up as if they're 50% of the research results. You in the public would have no idea that this is basically a done deal and that we're on to other problems, because the journalists are trying to give it a 50/50 story. It's not a 50/50 story. It's not. Period.
Someone asked me recently if marriage is 50-50 - it averages out to be 50-50, but sometimes it's 75-25, sometimes it's 90-10. In the end, it has to average out to be 50-50; that's how you support each other.
Film schools are now nearly 50-50 male-female, and women are also well represented at festivals and in indie film. But what happens to them after they direct their first film or short? Where do they go? They certainly aren't being given the same opportunities as their male counterparts.
Any time the country is split 50/50, the leader is wrong.
I don't pretend to be a general or an admiral or anything else, but I just - every time I see - I see President [Barack] Obama get up, "Ladies and gentleman, we are sending 50 people to Iraq," 50.So that's bad in two ways. Number one, it's such a low number that the enemy's saying is that all?And number two, when you think 50, those people now have a target on their back. They wanna find those 50 people and they look for those 50 people.
Right now, you hear about teamwork, and it's defined as 50-50, and that is a falsehood. There's no such thing as 50-50. You know, you do whatever you have to do as part of the team.
In high school, I didn't realize that science or engineering were male-dominated fields. When I got to college, and I was one of two girls in a 50-person class, that's when I realized that this was a unique decision I had made as a girl to go into engineering.
Eventbrite is 50-50 male-female, and this has been accomplished organically.
If I wrote in Michael Harrington's time, roughly 50 years later when he published 'The Other America', I'd still be writing about poverty and also entrenched racial injustice.
Point me to 50 people online who think I'm super sexy. I'll point you to 50 more who say he's old and looks like my dad.
Total oblivion is the fate of almost everything in this world. I'm very likely to suffer that same fate; my work will probably not be remembered, and if any of it is, if any of those novels is fated to be one of those novels that is still being read 50 or 100 years after it was written, I've probably already written it.
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