It was such an idyllic time when I grew up in Hong Kong. It was a British colony and very much geared towards buying the best of Britain. My childhood does have a huge influence on how we design. There must be a little bit of that nostalgia - childhood is so special.
Hong Kong people say Hong Kong needs to preserve its uniqueness. I say Hong Kong's uniqueness is in its diversity, its tolerance of difference cultures... China does not want to see Hong Kong in decline. I have full confidence in its future.
I grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that's vanished - the England of my childhood has actually disappeared.
I grew up just outside Hay-on-Wye, on the borders of Wales, on a farm. It was an amazing childhood, but I got a bit stir crazy when I hit my teens. There was the feeling of having to get out, you know, but it was definitely idyllic.
When I look at 'Fallen Angels,' I realize it is not a film that is truly about Hong Kong. It's more like my Hong Kong fantasy. I want Hong Kong to be quiet, with less people.
I still remember 2002. It's a very hard time for Hong Kong industry, no movies in Hong Kong, and also at this moment I start my new company, so many people said, 'You're crazy.'
When I got on set, and these huge, big lights come on, it brings on a smell - it's almost like the smell of a light burning a little bit - and I said, 'This reminds me of my childhood,' because I grew up onstage.
I was one of the many kids in Northern Ireland who grew up in the countryside and had an idyllic childhood well away from the Troubles.
Hong Kong compatriots will surely display great love for the motherland and for Hong Kong and take it as their utmost honor to maintain long-term prosperity and stability in Hong Kong and safeguard the fundamental interests of the country.
I definitely grew up differently to most of my friends, and that was a little bit of a struggle then. I wouldn't want to change anything about the way I grew up, even though it was a different situation. I still love the way I grew up, and I had an amazing childhood with a really supportive family.
An affection for Hong Kong and a national identity are not mutually exclusive. We can let children learn more about Hong Kong's history, culture, politics, and social development, and at the same time, we must make them have their national identity.
I hope Hong Kong isn't just named Hong Kong but it can still be the Hong Kong we desire.
Bo Innovation is there for anyone who comes to Hong Kong and wants to learn about Hong Kong in the shortest amount of time.
I went back to Hong Kong for the first time in 17 years and I was culture shocked in Hong Kong.
We were brought up in a very happy family and I can't whinge about my childhood because it was idyllic.
People are very surprised when they come to Hong Kong after seeing my films, because my version of it is quite different than Hong Kong in reality.
When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.