A Quote by Marie Lu

When I was young, I drew as often as I wrote. — © Marie Lu
When I was young, I drew as often as I wrote.

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I drew when I was very, very young. My mom kept stuff I drew when I was 2 and a half years old, because it looked like, you know, like a jaguar as opposed to a cheetah.
It's hard to be a hungry young man when you're not hungry anymore. We were very hungry young men when we wrote 'Black Sabbath' and when we wrote 'War Pigs.'
In the immediate aftermath of the separation I just wrote and wrote and wrote. And wrote and wrote and wrote. Thank God I had that as an outlet.
I started off doing indie comics that I wrote and drew myself. I was doing those for ten years before I started to work for DC. The first book that I wrote for DC was for another artist. I did some backups in 'Adventure Comics' years ago starring The Atom. That's the first time that I ever wrote for another artist.
I loved you, so I drew these tides of men into my hands/and wrote my will across the sky in stars
Well, I never got into the young adult headspace. With 'Twilight,' they are pretty adult themes, aside from maybe the first one, but even that. They're very adult themes, actually, particularly as the characters age. I never wrote for young adults. I wrote for myself, as an audience.
It is often said that Leonardo drew so well because he knew about things; it is truer to say that he knew about things because he drew so well.
I wrote 'Young Guns' on spec because I really believed that the young age of these guys historically, the whole legend of Billy dying at 21, would attract a young staple of stars, and that would be the game-changer.
Whenever I wrote fiction, people always seemed to think that what I wrote was true, that it was entirely autobiographical. And when I would write non-fiction, they often accused me of exaggeration and fictionalization.
I have been told that a young would-be composer wrote to Mozart asking advice about how to compose a symphony. Mozart responded that a symphony was a complex and demanding form and it would be better to start with something simpler. The young man protested, 'But, Herr Mozart, you wrote symphonies when you were younger than I am now.' Mozart replied, 'I never asked how.
Drew is a player that comes along once every 20 years. Not even Barry Bonds can be compared to J.D. Drew.
I wrote for magazines. I wrote adventure stuff, I wrote for the 'National Enquirer,' I wrote advertising copy for cemeteries.
I always drew. I don't remember a time when I didn't draw. And I actually drew comics from the age of maybe ten through twelve.
I drew as a child, they tell me. I can vaguely remember doing it. And then I drew again in the late years at high school.
Before I wrote The Power of Now, I had a vision that I had already written the book and that it was affecting the world. I had a sense there was already a book somehow in existence. I drew a circle on a piece of paper and it said "book." Then I wrote something about the effect the book had on the world, how it influenced my life and other people's lives, and how it came to be translated into many languages affecting hundreds of thousands of people.
In the Emperor's New Clothes, they got a different celebrity to do each voice. They drew up a picture of each character and then each actor wrote their own part
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