A Quote by Marie Osmond
I lost boundaries as a child that I didn't even realize it and it wasn't talked about back then. You know, it was something you just buried and dealt with, and moved forward. What could you do about it?
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I always say that, I never talked about the NBA, I never talked about anything because I was just playing basketball for fun. I didn't think about being a professional and I didn't even know you could be signed.
Even when we talked about child labor, we were frowned upon. But then you know that you have to speak the truth irrespective of the repercussions.
She didn't like to be talked about. Equally, she didn't like not to be talked about, when the high-minded chatter rushed on as though she was not there. There was no pleasing her, in fact. She had the grace, even at eleven, to know there was no pleasing her. She thought a lot, analytically, about other people's feelings, and had only just begun to realize that this was not usual, and not reciprocated.
Dispose of everything that was lost. There's no time to dream about something that won't come back. I must look forward. Forward.
The graphic novel? I love comics and so, yes. I don't think we talked about that. We weren't influenced necessarily by graphic novels but we certainly, once the screenplay was done, we talked about the idea that you could continue, you could tell back story, you could do things in sort of a graphic novel world just because we kind of like that world.
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
He stepped colser. Looked deep into my eyes. Hesitated a millisecond, and then dove in. "I think I'm falling in love with you." Oh. No. "Cole--" "I know how you feel. About me. About him. I just wanted you to know-we could be good together. We could have a life. Kids. Vacations. On Sunday mornings I could serve you breakfast in bed." He gave me his I-know-you-find-me-irrestible grin. "And then I could make you something to eat.
You write a book, and after 50 pages you think it's about one thing, and then you write another hundred and you realize it's about something else, and then by the time you're done, you can look back and say, 'Oh, this is what it's about.'
When I began to think deeply about the metaphysics of love I talked with everyone around me about it. I talked to large audiences and even had wee one-on-one conversations with children about the way they think about love. I talked about love in every state, everywhere I traveled.
...when I came back, I found Mom sobbing at the kitchen table...Then I asked her what had happened. 'Nothing,'she said. 'I was thinking about that man...I started thinking about...if he and his wife and their other child are okay, and I don't know. It just got to me.' 'I know,' I said, because I did know. Sometimes it's safer to cry about people you don't know than to think about people you really love.
Something about family and trying to relate it to the movie with, 'Oh, if I was to have a child how many kids do I want?' And 'do I want a boy or a girl?' I didn't realize you could place orders, I honestly didn't realize it was like a drive-through, that you could talk to a little electronic voice.
I don't think that my parents even imagined that I would be exposed to drugs. In those days, for some reason, it was not talked about, just like sex was not talked about.
I think that's something that people don't realize enough about when they get into comedy - it's not just about sitting back and observing and saying something funny.
My mother talked about the stories I used to spin as a child of three, before I started school. I would tell this story about what school I went to and what uniform I wore and who I talked to at lunchtime and what I ate, and my mother was like, 'This girl does not even go to school.'
I lived in Chicago until I was about 12, and then I moved to Dallas until I was 19. So I think both were probably the time right when I was about to get an accent, or I lost it right when I moved.
Fidel Castro just talked a long time, and he talked and he talked and he talked and he talked... and he talked during the meeting. I think it was about four hours. But I guess that's part of the Castro spirit.
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