A Quote by Marie Windsor

About that time, stronger features became fashionable on the screen. — © Marie Windsor
About that time, stronger features became fashionable on the screen.
Music became so commercialized that I just didn't want anything to do with it. I renounced the industry before it became the fashionable thing to do.
Stop-Go seemed more sensiblr than using the brake and accelerator at the same time - a practice that later became fashionable.
'Screen time' is meaningless - what matters is what you do while on the screen. The good, the bad, and the ugly faces of screen time will all have to do with which activities you engage into.
In 'Fable 1,' the number of features was more important to me than what the features did. And as a games designer I've come to realize that it's not the number of features you have, it's the way that those features interact.
I spend so much time on the screen when I am writing, the last thing you want to do is spend more time on the Internet looking at a screen. That's what I hate about all this technology.
I just became a stronger agnostic, and then I started to realize that everyone who was saying they were agnostic really hadn't thought about it that much. Still, I went with agnosticism for a long, long time because I just hated to say I was an atheist -- being an atheist seemed so rigid. But the more I became comfortable with the word, and the more I read, it started to stick.
A lot of the really good features of Windows 10 - things like Windows 10 Hello, where you have facial log in and you don't have to use all your passwords, the Start screen and your ability to go through that, the touch usages of gaming, as the new games come to this product - those are going to run with PCs that have the latest features.
The great difference between screen acting and theatre acting is that screen acting is about reacting - 75% of the time, great screen actors are great reactors.
Today it is fashionable to talk about the poor. Unfortunately, it is not fashionable to talk with them.
Without any censorship, in the West fashionable trends of thought and ideas are carefully separated from those which are not fashionable; nothing is forbidden, but what is not fashionable will hardly ever find its way into periodicals or books or be heard in colleges. Legally your researchers are free, but they are conditioned by the fashion of the day.
I sort of forgot about 'Z Channel' after it went off the air in 1989, but once Jason Resnick of Focus Features made the suggestion, I became obsessed all over again. I still am. I'll probably be this way until I'm 80, babbling about 'Z Channel.'
I'm in a constant conflict about having to make a movie for the big and the small screen at the same time, stylistically. So I just basically make it for the large screen.
I think the problem is that fashion has become too fashionable. For years, fashion wasn't fashionable. Today fashion is so fashionable that it's almost embarrassing to say you're part of fashion. All the parodies of it. All the dreadful magazines. That has destroyed it as well, because everybody thinks fashion is attainable.
I am Chinese. I speak fluent Mandarin. And I go, 'Man, it's about time a Chinese person could step up to a Hollywood screen, and international screen, and help save the world.'
Sometimes I'm attracted to more odd girls with stronger faces and features or a softer beauty with a lot of character.
I think the future fashion will be more and more separated-like, on one side would be big distribution, and on the other side there will be high-level prêt-à-porter and couture. I mean, the prêt-à-porter is already couture in a way for the prices and the way that it's made. The big distribution will allow people to dress in a fashionable way, so this could be for everybody. This part of the big distribution will be stronger and stronger, but the other part we are coming up on is more and more rich people, because we are always thinking about Europe and about America.
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