A Quote by Mariel Hemingway

Maybe in any art you have to be wholly you in the context of whatever you're doing. — © Mariel Hemingway
Maybe in any art you have to be wholly you in the context of whatever you're doing.
When objects are presented within the context of art (and until recently objects always have been used) they are as eligible for aesthetic consideration as are any objects in the world, and an aesthetic consideration of an object existing in the realm of art means that the object's existence or functioning in an art context is irrelevant to the aesthetic judgment.
Back in third grade, they used to say, 'Take whatever talent you have and think of something you can do with it.' I liked to draw, but what could I do with it? Maybe I could be an art dealer - nah, can't see myself doing that. Maybe I could do commercial arts?
When America installs a minimum income, it's going to be doing it in a very different historical context than Switzerland or Sweden or Germany, or any other country might do it. And we're doing it in a context where it has the potential, I think, for much better consequences than in those other countries.
Maybe in that earlier phase I was painting the woman in me. Art isn't a wholly masculine occupation, you know.
I like the boundaryless potential you get when you make work for a context that is open to interpretation. Thinking about an art context is too claustrophobic, though. I always hope that at least half my audience is not directly related to the art world. I use art as a balancing act. It's a good way of avoiding everyday chores and social obligations.
You can publish a poem you think is a very important poem, and you don't hear a word from anyone. [...] You can publish a book of poetry by dropping it off a cliff and waiting to hear an echo. Quite often, you'll never hear a thing. So doing that, using older work, puts it in a context, and that sort of forces the reader to realize what its importance is-if it has any. Everything needs a context. You're not going to recognize a poet unless you have a context.
All I can do in the context of pursuing any sort of TV thing, and all I've done in the past, is offer your life at any given point in time to whatever situation you're in.
I did an art show for Donald Trump at his house in Palm Beach, Florida. It was a bunch of pop art and stuff like that, so I wasn't doing any graffiti at that time, so I'd say from about 2000 to 2006, I wasn't doing any graffiti.
Miracles have no claim whatever to the character of historical facts and are wholly invalid as evidence of any revelation.
I think the thing is there's a work for every space, you always have to respond to a context, whether it be a physical context, or a political one, or a cultural one, whatever.
I can't imagine a life without thinking, doing art. I don't feel any need to be a world traveler or an adventurer. I'm very happy doing what I'm doing. I think somehow I know that I should have a larger vision of art, but I can't think of what that would be.
I don't think it's worth discussing new directions in the context of Chinese art - there were no old directions, either. Chinese art has never had any clear orientation.
People act like art is a white thing - or not for people of colour - when, really, so much culture and art comes from people of colour. I want everyone to get into what I am doing. So sometimes I don't like to work just in an art context because it feels like a lot of people aren't going to see it. I like it to be a part of everyday life.
My family didn't film anything. But then you look deeper and realize, maybe there are photographs, there are things. It's also context: You give something a context, and suddenly it becomes really deep or meaningful footage.
Some people get medals and awards and all that, and maybe not intentionally - maybe the world is making them do it - but they sort of just follow what they were doing. Repeat or follow what they were doing all their lives, in their style of music or whatever. In my case, I always try to start from scratch. It's very nerve-wracking actually, but it's interesting.
People are always wondering if I am an artist or political activist or politician. Maybe I'll just clearly tell you: Whatever I do is not art. Let's say it is just objects or materials, movies or writing, but not art, OK?
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