A Quote by Mariella Frostrup
Television executives only commission something that somebody else has already commissioned that's doing well on another station - they're afraid of expecting an audience to concentrate for longer than three minutes on any particular item.
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The only way of making money is for effort. The only time I've ever lost money is when I've purposely said, "I'm doing this to make money." And I've actually on three occasions lost significant sums. I have made wealth when I've actually made a contribution to something, when I've done something I thought I could do better than somebody else or have done something better than somebody else does it.
What’s this? What are the antagonists doing here – infiltrating their own audience? Well, they’re not really. It’s somebody else’s audience at the moment, and these nightly spectacles are an appreciable part of the darkside hours of life of the rocket capital. The chances for any paradox here, really, are less than you think.
I train harder than anyone else in the world. Last year I was supposed to take a month off and I took three days off because I was afraid somebody out there was training harder. That's the feeling I go through every day - Am I not doing what somebody else is doing? Is someone out there training harder than I am? I can't live with myself if someone is.
I see young people being dismissed for supposedly wanting only "stupid" and "easy" material, or that they don't have an attention span longer than three minutes. I disagree with all those statements; I just think they aren't true. I'm saying that our generation wants stuff that is substantial and challenging, as well as thoughtful and endearing. Well, I don't know if I'm doing that, but I'm trying.
I have changed the focus of the work of my Commission so that we no longer concern ourselves with trivial details and concentrate on the key issues instead. By doing that, we met a large number of the legitimate demands made by the British people. The Commission really did do everything it could to create the conditions for a positive campaign.
'Cause a musician, you can't tell me, "I've got this message I want share with the public," and it's three-and-a-half minutes long. That's not it. If your message is only three-and-a-half minutes long, then we got nothing else to talk about. Because life is more complex than three-and-a-half minutes.
I wont deny that I have a far more productive writing life without the Internet, mostly because I rekindle my ability to concentrate on one thing for a period of longer than three minutes. My curiosity is channeled inward rather than Internet-ward.
When will it begin, anyway?" Sirus held his gaze for a moment, his eyes full of concern- a concern that Joss didn't understand. "Probably sooner than you're ready for." "When's that?" "Well." Sirus sighed, as if doing the math in his head."It'll take us about three minutes to gather this stuff and get to the cabin, and another two or three for Abraham to realize you're here. So I'd say you have about seven more minutes of freedom left.
The concept of who your audience is becomes more important than your site. Sometimes you can be commissioned to do a piece in Strasburg, and it works. Sometimes you're commissioned to do a piece somewhere else and it doesn't work, but then it moves to another city, the people embrace it, and becomes part of them. You just misjudged the needs of the people. Art is about giving people material and things to work with to fulfill whatever needs they have.
Spiritual Balance is the obvious answer to the obsession that sometimes accompanies religious practice, occult practice, philosophical understandings - the assertion that one is right - that something that you're doing is better than something somebody else is doing, the way you're doing it is better than the way someone else is doing it.
If a song is longer than three and a half minutes, it'll need something to keep you entertained.
If a song is longer than three and a half minutes, itll need something to keep you entertained.
I always figure, you come to a party, you gotta know somebody. And somebody leads to another person and leads to somebody else, somebody else. That's one of things that I really enjoy doing.
That's precisely what we do as actors: try to convince the audience we are somebody else. And if you can do that, you are really doing something.
You read about these oyster-shucking contests: Somebody did 100 oysters in three minutes, three seconds. I'm lucky if I can open one in three minutes, three seconds.
People concentrate, particularly for their own purposes, on dividing people, and it's just not necessary. If you actually spend time with somebody, in 10 minutes, you'll find something in common, and it's powerful when you do. When you find you've got something in common with somebody, all of a sudden, you're friends.
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