A Quote by Mariella Frostrup

In my child's-eye view, whenever I was exposed to pain, it meant that my mother had let me down. — © Mariella Frostrup
In my child's-eye view, whenever I was exposed to pain, it meant that my mother had let me down.
I think one of the greatest advantages we had on the show growing up was being exposed to Mr. Cosby - being exposed to his work ethic, being exposed to how he handles the job of celebrity and living in the public eye... I think that all had a real significant impact.
I don't really remember, but I'm positive that whenever I cried, my mother gave me something to eat. I'm sure that whenever I had a fight with the little girl next door, or it was raining and I couldn't go out, or I wasn't invited to a birthday party, my mother gave me a piece of candy to make me feel better.
When the Lakers sent me down to the D-League, I didn't view it as a demotion. I accepted it as a challenge. Plus, it meant playing more minutes, which meant growth.
Tereza's mother never stopped reminding her that being a mother meant sacrificing everything. Her words had the ring of truth, backed as they were by the experience of a woman who had lost everything because of her child. Tereza would listen and believe that being a mother was the highest value in life and that being a mother was a great sacrifice. If a mother was Sacrifice personified, then a daughter was Guilt, with no possibility of redress.
In a bird's eye view you tend to survey everything and decide on a particular point, then you swoop down and pick it up. In a worms eye view you don't have that advantage of looking at everything.
As Anna Freud remarked, the toddler who wanders off into some other aisle, feels lost, and screams anxiously for his mother neversays "I got lost," but accusingly says "You lost me!" It is a rare mother who agrees that she lost him! she expects her child to stay with her; in her experience it is the child who has lost track of the mother, while in the child's experience it is the mother who has lost track of him. Each view is entirely correct from the perspective of the individual who holds it .
I used to take that God's-eye view as a comfort when I was a child. I'd think, "Well, we couldn't find the world meaningful at all if it weren't for death." Of course, that is the smuggest and most intolerable of all perspectives because I'm not suffering from the death or the pain.
I'm very objective about what I want to have happen to my protagonists and where that has to come from. On one hand, it does help me that I had a mother who might have taken the last dollar and bought a pack of cigarettes or something, but I also had a mother who exposed me to art, music, other religions, different foods. My mother was very adventurous in her own way, so she fed the part of me that was going to grow up to be a writer. But there's always, too, the opposite response that helps me to create.
By the time I got to school, I had already read a couple hundred books. I knew in the first grade that they were lying to me because I had already been exposed to other points of view. School is basically about one point of view -- the one the teacher has or the textbooks have. They don't like the idea of having different points of view, so it was a battle. Of course I would pipe up with my five-year-old voice.
Was it the act of giving birth that made you a mother? Did you lose that label when you relinquished your child? If people were measured by their deeds, on the one hand, I had a woman who had chosen to give me up; on the other, I had a woman who'd sat up with me at night when I was sick as a child, who'd cried with me over boyfriends, who'd clapped fiercely at my law school graduation. Which acts made you more of a mother? Both, I realized. Being a parent wasn't just about bearing a child. It was about bearing witness to its life.
Being a good mother, it seemed to me, meant you ran the risk of losing your child.
I left the clinic in a daze that had nothing to do with my head injury. Clear up in a week or so? How could Dr. Olendzki speak so lightly about this? I was going to look like a mutant for Christmas and most of the ski trip. I had a black eye. A freaking black eye. And my mother had given it to me.
It is a view of God that compensates every thing else, and enables the soul to rest in His bosom. How, when the child in the night screams with terror, hearing sounds that it knows not of, is that child comforted and put to rest? Is it by a philosophical explanation that the sounds were made by the rats in the partition? Is it by imparting entomological knowledge? No; it is by the mother taking the child in her lap, and singing sweetly to it, and rocking it. And the child thinks nothing of the explanation, but only of the mother.
As a child, he had hardened his heart and learned to take their punches. He had learned to spit back and take down anyone who cast a jaundiced eye or who made a comment about either him, his mother, or his sister. He’d told himself that he didn’t need anyone’s love or caring. And so he had learned to live like a feral animal, always ready to strike out when someone tried to touch him.
The only sex education my mother ever gave me was the injunction: 'Never let a boy touch you down there.' I had no idea what she meant. She seemed to be referring to my knees.
For every mother who ever cursed God for her child dead in the road, for every father who ever cursed the man who sent him away from the factory with no job, for every child who was ever born to pain and asked why, this is the answer. Our lives are like these things I build. Sometimes they fall down for a reason, sometimes they fall down for no reason at all.
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