A Quote by Marietta Holley

you can't set down and stand up at the same time, each situation has its advantages, but you can't be in both places at once ... it can't be did. — © Marietta Holley
you can't set down and stand up at the same time, each situation has its advantages, but you can't be in both places at once ... it can't be did.
I suppose if I did get into a situation with a friend where we both liked the same girl, I like to think we'd sit down maturely and decide who was going to get in there, and then the other would stand aside.
I can't believe how much time has passed. The first time I did stand-up I was 17, and I was really a stand-up once I was 19 in New York, and now I'm 41, and I still feel like I haven't found myself onstage.
Without defeats, how do you really know who the hell you are? If you never had to stand up to something - to get up, to be knocked down, and to get up again - life can walk over you wearing football cleats. But each time you do get up, you're bigger, taller, finer, more beautiful, more kind, more understanding, more loving. Each time you get up, you're more inclusive. More people can stand under your umbrella.
No, I never really set out to be a stand up. I wanted to be a writer of some sort. I thought I'd do a bit of stand up and hopefully that will lead to stuff and little did I know it kind of snowballed. Before I knew it I was doing stand up 300 nights a year.
I had to write a comedy set and film a show at the same time. And it's the second time I've been up on stage as a stand-up comedian with untested material. I was saying it out loud for the first time that night. It didn't go how I expected, but in the best possible way.
I did try and do some spooky stand up once, and some of my stand-up had - I tried to do some horror stand-up, but it didn't really work very well.
The first time I did stand-up I was 17, and I was really a stand-up once I was 19 in New York, and now I'm 41, and I still feel like I haven't found myself onstage. Earlier in my career, I was really tight, really together, and knew who I was and I was confident.
This movie [ Buried] is strange, because it's such an extraordinary situation, both as a character and as an actor. Both of us are going through an extraordinary situation at the same time, and it was odd. It was weird not having a co-star to cut away to for the most part. It just forces you to never have a deficit in the performance.
Once we were on the set, we each did different kinds of work. I was doing more the technical stuff, the framing and the camera work, and she was working more with the actors. Marjane [Satrapi] and I don't stop speaking once we're on the set. We continue to talk. We define what our roles are going to be on set, because to have a snake with two heads is silly.
Subjects who reciprocally recognize each other as such, must consider each other as identical, insofar as they both take up the position of subject; they must at all times subsume themselves and the other under the same category. At the same time, the relation of reciprocity of recognition demands the non-identity of one and the other, both must also maintain their absolute difference, for to be a subject implies the claim of individuation.
The advantages of having decisions made by groups are often lost because of powerful psychological pressures that arise when the members work closely together, share the same set of values and, above all, face a crisis situation that puts everyone under intense stress
In order to know the true situation of a Planet at any particular time, the small set of balls are to be put each on its respective axis; then the winch to be turned round until each index points to the given time.
Yeah, I mean, I did regular stand-up for a long time. And I did - I stopped doing stand-up when I worked on 'Ellen,' which was for five years. So when I went back to it, I found that, like, regular stand-up didn't really do it for me anymore. It almost felt insincere, like I wasn't saying anything I actually really wanted to say.
If life knocks you down, try to land on your back. Because if you can look up, you can get up. And if you get up, you can stand up. And if you stand up, you can fight for your dream once again. You have something special. You have GREATNESS within you!
I think for us up-and-coming artists, once you're out there, once you've put stuff up, once people know who you are, once you discover who you are, we're all in the same boat: it's down to whether people appreciate the music or not.
First they went after the Communists, and I did not stand up, because I was not a Communist. Then they went after the homosexuals and infirm, and I did not stand up, because I was neither. Then they went after the Jews, and I did not stand up, because I was not a Jew. Then they went after the Catholics, and I did not stand up, because I was Protestant. Finally, they went after me, and there was no one left to stand up for me.
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