A Quote by Mariette Hartley

My greatest strength as a person? I guess I get caught in it a lot, but I think it's my ability to put myself in someone else's shoes. — © Mariette Hartley
My greatest strength as a person? I guess I get caught in it a lot, but I think it's my ability to put myself in someone else's shoes.
Nothing frustrates me more than someone who reads something of mine or anyone else's and says, angrily, 'I don't buy it.' Why are they angry? Good writing does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head—even if in the end you conclude that someone else's head is not a place you'd really like to be.
I am the type of person that likes to put myself in someone's shoes to 'get' it.
Good writing does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head.
As human beings, we aren't as individual as we'd like to believe we are. And I think that's what makes acting possible. Despite the fact that I have not experienced something, I have it in my human capacity to imagine it and to put myself in someone else's shoes, and to take someone else's circumstances personally.
I'm the type of person to put myself in everybody else's shoes.
A lot of people put a lot of restrictions on their ability to develop. And that's fine for you if that's what you feel your limitations are, but I think it's wrong when you assume someone is not natural because you are imposing your limitations on someone else.
The one thing you have to do if you write a book is put yourself in someone else's shoes. The reader's shoes. You've got to entertain them.
Playing characters is fun because you get the chance to put yourself in someone else's shoes.
I'm not scared anymore, I just ... I don't know. I think it's because I saw someone else, someone behind your face, like you'd taken off a mask. It was still you, but it wasn't. And I don't think that person is going to hurt me, or Marci, or anybody else, but ... I guess the thing is that I don't know anything about that person. At all. And that's what scares me more than anything - that there could be two people, so different, and one of them so secret.
I have a lot of belief in myself and I am also someone who has a lot of faith in God. I get a lot of strength from my Catholicism.
It used to be irritating just because someone can meet you and before they would get a chance to get to know you, they’ll go find someone else’s story about who I am. For me personally, I just always think it’s more interesting to get to know the person myself.
I get a lot of shit because I put "I" in the lyrics all the time. The "I" is always for someone else... When I say "I," it's so that when that person is singing along with the song, it empowers them.
You get told a lot in school to tell what you know, write what you know. But what excites me about filmmaking, about being a storyteller, is being able to learn about other people, putting myself in somebody else's shoes, whether that be someone from the Dominican Republic or someone from Cuba or inner-city Brooklyn.
I think it's really easy to just get caught up in what everyone else is doing, so I think the most important thing to remember is to be really strong in your own shoes. That is the main thing for me. The one thing that kind of gets in my way sometimes is when I'm a little too aware of everybody else.
Just think, the shoes I wouldn’t be caught dead in might actually turn out to be the shoes I am caught dead in.
I used to be pretty hard on myself, like, if I didn't like a haircut I did on someone, I would think about it a lot and second-guess myself. But after therapy and a lot of work, I know how to dust myself off a lot faster, and those things don't knock me down as much as they used to.
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