A Quote by Mariette Hartley

I think my strength as a performer is my ability to straddle the fence between comedy and tragedy. — © Mariette Hartley
I think my strength as a performer is my ability to straddle the fence between comedy and tragedy.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like its crying. The other mask is comedy. It looks like its laughing. Nowadays, we would say, How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.
I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like it's crying. The other mask is comedy. It looks like it's laughing. Nowadays, we would say, 'How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.'
Comedy is an intellectual affair, and deals chiefly with logic. Tragedy is an emotional affair, and deals chiefly with value. Horace Walpole once said that "life is a comedy to the man who thinks and a tragedy to the man who feels." Comedy is negative; it is a criticism of limitations and an unwillingness to accept them. Tragedy is positive; it is an uncritical acceptance of the positive content of that which is delimited. Since comedy deals with the limitations of actual situations and tragedy with their positive content, comedy must ridicule and tragedy must endorse.
Well, for me, it's the relationship between comedy and life - that's the edge I live on, and maybe it's my protection against looking at the tragedy of it all. It's seeing life in balance. Comedy and tragedy co-exist. You can't have one without the other. I'm of the school that anything can be funny, if seen from a comedic point of view.
Is not the decisive difference between comedy and tragedy that tragedy denies us another chance?
I was sort of trained in drama. I went to theater school. I started on the stage. Comedy is absolutely an essential part of what we do as actors. But I think in the grand scheme of things, comedy was born from tragedy. First there was tragedy and then there were the comedies.
Opportunity never sneaks up on those who straddle the fence of indecision.
Tragedy massages the human ego even as comedy deflates it. ... Tragedy pits us against large foes and the trip wire is our own character. ... In comedy we fall afoul of one another. Comedy depends on social life, on our behavior in groups. In tragedy you can observe one human against the gods. In comedy it's one human versus other humans and often one man (or woman if I'm writing it) against her own worst impulses.
Human life is a combination of tragedy and comedy. The shapes and designs that surround us are the music accompanying this tragedy and this comedy.
I don't want to make a style. Not tragedy, not comedy. Life is a mixing of all kind of things: comedy and tragedy going together.
The way that I live is in between the dual experiences of the tragedy mask and the comedy mask. I feel that I write best and think best in between those two masks.
Human comedy is more profound than tragedy. In tragedy we die and it is very sad. In comedy we avoid death, and it is even sadder.
I think certain people may make it to sexual; and then others will offset that with the depth of R & B and all of its substance it has to have, in order to be called R & B or, known for an looked at to be called R & B and I kind of straddle the fence on that one because in my earlier years I was the 'Nasty Man,'.
The ability to understand and deliver comedy and tragedy is extremely rare in one composer.
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