A Quote by Mariette Hartley

One of the wonderful things about Shakespeare is that he trusted an audience to move quickly with him. One moment tragedy, the next comedy. — © Mariette Hartley
One of the wonderful things about Shakespeare is that he trusted an audience to move quickly with him. One moment tragedy, the next comedy.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
An actor must communicate his author's given message--comedy, tragedy, serio- comedy; then comes his unique moment, as he is confronted by the looked-for, yet at times unexpected, reaction of the audience. This split second is his; he is in command of his medium; the effect vanishes into thin air; but that moment has a power all its own and, like power in any form, is stimulating and alluring.
Shaun has working his audience into a frenzy down to a science; by the time he's done with them, they get excited by the mysterious discovery of pocket lint. It's impressive, but I'd rather watch him move. There's something wonderful about the way he lets go, becoming all energy and excitement as he outlines what's coming next. Maybe it's geeky for a girl my age to admit she still loves her brother. I don't care. I love him, and one day I'll bury him, and until then, I'm going to be grateful that I'm allowed to watch him talk.
I don't want to make a style. Not tragedy, not comedy. Life is a mixing of all kind of things: comedy and tragedy going together.
I trained in Shakespeare, and that's all comedy, even when it's tragedy.
I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like its crying. The other mask is comedy. It looks like its laughing. Nowadays, we would say, How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.
I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like it's crying. The other mask is comedy. It looks like it's laughing. Nowadays, we would say, 'How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.'
Comedy is an intellectual affair, and deals chiefly with logic. Tragedy is an emotional affair, and deals chiefly with value. Horace Walpole once said that "life is a comedy to the man who thinks and a tragedy to the man who feels." Comedy is negative; it is a criticism of limitations and an unwillingness to accept them. Tragedy is positive; it is an uncritical acceptance of the positive content of that which is delimited. Since comedy deals with the limitations of actual situations and tragedy with their positive content, comedy must ridicule and tragedy must endorse.
I was sort of trained in drama. I went to theater school. I started on the stage. Comedy is absolutely an essential part of what we do as actors. But I think in the grand scheme of things, comedy was born from tragedy. First there was tragedy and then there were the comedies.
I've always been drawn to discomfort and that limbo of unease you get between comedy and tragedy. Making people laugh one moment and the next making them feel really uncomfortable.
The thing is to be brave and move the audience with you, instead of cater to the lowest common denominator, you know, slipping on a banana peel and falling on your ass. You got to move the audience a little further ahead in terms of their appreciation of what is comedy. It's complicated.
Tragedy massages the human ego even as comedy deflates it. ... Tragedy pits us against large foes and the trip wire is our own character. ... In comedy we fall afoul of one another. Comedy depends on social life, on our behavior in groups. In tragedy you can observe one human against the gods. In comedy it's one human versus other humans and often one man (or woman if I'm writing it) against her own worst impulses.
The way I approach any role, whether it's comedy or drama, I like to look for the truth first. I think comedy for the sake of comedy wears dull pretty quickly. You have to ground the character in reality first and allow the audience to sympathize, emphasize and be more invested.
Human life is a combination of tragedy and comedy. The shapes and designs that surround us are the music accompanying this tragedy and this comedy.
I do love comedy, and when it's a comedy moment and you can make people laugh, of course it is wonderful.
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