Sometimes just getting out of the house and doing something you haven't done in a long time (or never done!) can open up the doors to musical inspiration.
I knew I'd just done one of the most amazing things that I will ever get a chance to do. Just to be part of a musical that's not your background and to pull it off and to think that we've done something that's really special.
I've sung before, first in a band in high school and then in a band in Norway, but never in a musical.
My perspective was: yes, I've worked before in London, but, my God, I've never done a musical in the West End and I see myself as someone who's predominantly known for TV, so can I prove my worth?
It's been in my musical DNA since I was a little kid. I think musical theatre has really influenced everything I've done.
Louie Bellson represents the epitome of musical talent. His ability to cover the whole musical spectrum from an elite percussionist to a very gifted composer and arranger never ceases to amaze me. I consider him one of the musical giants of our age.
I've never done a musical, and I don't think I could do one, but I would love to play Sally Bowles in 'Cabaret.'
When I was a kid, I never thought I would ever be able to make records and never really thought seriously about a musical career because a musical career was being Fabian or Frankie Avalon or something. It didn't make any sense. There wasn't any possibility to get into that world.
I do think musical-theater actors can get a bad rap, and I see why. There is a certain slickness - there's nothing better than an amazing musical, but an okay musical can be one of the worst times you've ever had.
So, through all that early professional career I would occasionally do a musical, a pantomime or a play with songs. The next stop would be a Shakespeare, or an Ibsen, or a play by a brand new writer who had never done anything in the theater before.
I'm grateful to be working. The most exciting thing for me is that I never get bored - I've done comedy, drama, musical theatre and now Shakespeare.
Deciding what is to be sung and what is not to be sung is really what writing a musical is about.
All I ever wanted to do when I was a kid was be in a Broadway musical and to be in 'Star Trek,' and I can finally say I've done that.
'Evita' was four pieces of slick paper and a record album. It's the most scary, to sit down and dictate a musical scene by scene. It was a musical unlike anything I'd ever seen before myself.
If you don't feel a true passion through work, you can't do it. It's not possible for me. I've never done TV. I've never done commercials. I've never done anything for money. I can't do it. I wish I could. It would be easier.
I always wanted to do musical theater. That was where I saw my life going since I was a musical theater major in college before I went to Pentatonix.