A Quote by Mariette Hartley

Nobody knew I could do comedy until I started Polaroid. — © Mariette Hartley
Nobody knew I could do comedy until I started Polaroid.
Before the Polaroid commercials, my image was that of a solid actress, a theater actress who could do anything. But the Polaroid commercials were high comedy... Through them I was finally noticed as a comedian.
Nobody should touch a Polaroid [camera] until he's over sixty
I was bad at sports and picked last every day. I couldn't quite figure out what my role was in the social order, so I decided I was interested in comedy. And what was then interesting was, nobody else was interested in it at all. I didn't find one friend who was interested in comedy until I moved to California and met other comedians. And suddenly I knew hundreds of people who knew as much about SCTV as I did. But it took me 20 years to find those people.
When I started acting, doing theater stuff at a young age, I was always the comic relief-type roles, so I knew I had a funny bone and could make groups of people laugh, but I didn't really take it seriously until I started getting paid on a weekly basis; then I was like, 'Oh, well, this could be a lifestyle.'
When we started making 'Where You Live', I bought a bunch of Polaroid cameras in so that people could record the experience. Some of those pictures are in the CD sleeve.
I didn't really get into comedy until a couple months before I started doing comedy.
Early in my career, when I was still learning about politics, when I was wet behind the ears and naive... Up until the time I started radio show, nobody that knew me ever thought I was a hatemonger or a racist or homophobic or sexist or bigoted or any of that. Nobody. There wasn't anybody. Six months after being on the radio with this program, I'd become all of that. And I remember.
I got real bored in '96. Wasn't nobody to fight. Nothing to look forward to. That's when I started playing basketball again. Had I not started playing basketball, my boxing career would have failed. But I went from a sport where nobody could touch me to another where I couldn't touch nobody.
I'm definitely a Polaroid camera girl. For me, what I'm really excited about is bringing back the artistry and the nature of Polaroid.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
When I first started doing my comedy act, I just desperately needed material. So I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines. I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.
Until you came along, I never knew how much I’d been missing. I never knew that a touch could be so meaningful or an expression so eloquent; I never knew that a kiss could literally take my breath awa
My family said that a big firm was where you'd get the most opportunities. I knew nobody who had ever worked at a firm, nobody who knew anything about it. I just tried to get the best job I could.
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
I'd like to do a comedy with Emma Thompson. I admire her as an actress so much. I love her. And I didn't know it until recently that her whole career started in comedy.
I want to do a romantic comedy that nobody thought I could do. And then do a comedy with Dan Aykroyd that is totally different from 'The Blues Brothers.' I'm a comic actor, but I'm an actor, too.
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