A Quote by Mariette Hartley

My happiest moments are when I'm on my high wire with the Johnny Carsons of the world. I don't have that opportunity if I'm doing other people's scripts. — © Mariette Hartley
My happiest moments are when I'm on my high wire with the Johnny Carsons of the world. I don't have that opportunity if I'm doing other people's scripts.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
Perhaps it’s true, my happiest moments are the anticipation of other moments still to come.
I don't own any of these names. I don't own Johnny World, Johnny Mundo, John Morrison, Johnny Nitro, Johnny Blaze or Johnny Impact. None of it.
I was born in a world of opera, theatre, films, poetry, art, and therefore, out of the wire, I made a stage. That's why they call me a high wire artist.
The test for me, when I read other people's scripts, is whether I feel like there's something about me that is the best person to tell this story. I have a pretty high bar for myself. There's a lot of scripts that I read and think, "Oh, this is great, but I think there are 50 other directors who could bring this to the cinema."
It would be very, very dangerous for a wire walker to experience fear while he is balancing on the wire. Fear has its place on earth, before and maybe after a high-wire walk, but not during for me.
We can't dispose of the everydayness of people's struggles. We have to build a world that is ultimately supposed to be, very simply, everybody doing what they are happiest doing.
I walk on the wire; it's my profession, and there are no two high wire walks alike.
As a high wire walker, I do not allow myself to 'leave the wire' during a performance.
The happiest moments for me, creatively, are doing readings of a play around a table where there's no audience.
If you recall the happiest moments in your life, they are all from when you were doing something for somebody else.
Hollywood versions of watershed moments in American history are generally high-minded shlock. 'JFK,' 'The People vs. Larry Flynt,' even 'Lincoln': all of these boast excellent performances in scripts that are ultimately very conventional, even conservative.
There are moments of high mood, there are moments of low mood, there are moments of injury, there are moments of strength, there are moments of progress, there are moments of stagnation. All we can do is keep on pushing.
The best moments in my life are just before going to bed. Those are my happiest moments.
The very first thing I ever did, I was doing some work for the French Cultural Center. They wanted a little recording set up. And I got wire. A wire recorder. The wire came off spools, and to cut and edit, you tied it together in little square knots. Can you imagine?
I've been doing that song ["Live Wire"] on my own for years, so no, I'm not worried about [high notes] at all.
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