A Quote by Marilyn

The least I can give them is the best they can get from me. What's the good of drawing in the next breath if all you do is let it out and draw in another? — © Marilyn
The least I can give them is the best they can get from me. What's the good of drawing in the next breath if all you do is let it out and draw in another?
What's the good of drawing in the next breath if all you do is let it out and draw in another?
The best works do not necessarily get to auction. I like to draw, so maybe I give you a little drawing. And then eventually it ends up at auction. And then critics say, 'Oh, that's a bad drawing!' Well, I didn't say it was so wonderful.
I always start drawing any job by planning out to some degree the locales and trying to nail the characters. If they're existing characters, I'll draw them several times on rough paper just to get a feeling for them. The ideal when you're drawing a comic is to have everything in your head, not to have to refer to notes.
I get to draw what I like to draw, basically people hangin' around, and write very humanistic kinds of situations and characters. But I do also like to draw adventure stories - more in terms of drawing them than writing them - and letting my imagination go wild.
You can get the best locksmith in the world to design the best lock he can design, is it pick proof? No, it's not: it can be very hard to pick, but it is pickable. Because you can get, say, the next 10 best locksmiths, and give them unlimited money and time, they will figure out a way to pick it.
[With theater] you draw the audience into the room as best you can, and in film, you can draw them into the room, you can draw them outside into the desert, you can take them out into the ocean, you can do all these amazing things.
Music has become really important now. It's helped me to open up more and take a chance on loving people. Music is a good reason to care. It's just a vehicle though. It's a way to try and give somebody something that you feel. If trying the best I can isn't good enough, I'll just have to try harder next time...it's all I can do. If I do the best I can, then at least I did the best I could in this life The way I like to look at it is....if that's the last time /I ever got to play, I'd better give it everything I've got.
It took me six months to redeem myself at least to have another chance to at least have her get to know me and let her know I was at least a decent guy and to give me a shot. And here we are, we've been married seven years
It took me six months to redeem myself at least to have another chance to at least have her get to know me and let her know I was at least a decent guy and to give me a shot. And here we are, we've been married seven years.
Sometimes I will draw people and they will move away too quickly for me to finish what I wanted, and it is not enough for me to consider it a drawing of them. I hope I have gotten better at capturing things quicker in a drawing.
I grew up with a pencil. A pencil was my computer at the time and so drawing, drawing, drawing and the tools of drawing where the usual ones and eventually then you graduated from the tools when the work increases and you start to draw by freehand as precise as possible and as accurate as possible, and I was pretty good at that.
When I'm drawing, I'm drawing with the light, being completely open and creative. I can't draw in the evening. I need light and I need warmth if it is a summer thing, and I need cold if it is a winter collection. The good thing is that I have houses to go to whenever I'm working. I draw according to the place.
I remember kids used to give me a penny for drawing them a horse. I loved horses, but I couldn't have one, so I would draw a horse for myself. I would make it food and a blanket for it to wear and a place to live.
When I was a kid, I was always drawing things. I'd get butcher paper or grocery bags and draw on them.
When I talk to children, I show them a typical drawing I made when I was six and point out to them that when I was their age, I didn't draw any better than any of them.
You can't wait forever for an audience to get the joke, but you should give them at least two seconds to join in before you go on to the next one.
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