A Quote by Marilyn Manson

I heard this album as finished, I heard it in dreams . . . It was like the revelations of John the Baptist or something. — © Marilyn Manson
I heard this album as finished, I heard it in dreams . . . It was like the revelations of John the Baptist or something.
I love the 'Black Album' because I think it was the beginning of something, primarily. I'd met Metallica, and I'd heard Metallica before that, but when I heard the 'Black Album,' I actually had a response rather like I did with 'Sgt. Pepper.'
When I heard The Beatles, that was my turning point. They were like my mentors. You know, the funny thing about that, when I heard 'I Wanna Hold Your Hand,' at first I said these guys are like a flash in the pan. But the second album, I had to take all that back. John Lennon - one of the greatest writers in the world.
Metallica's 'black' album, when I heard that and I heard Lars' playing, and I just was, like, you know, 'Wow! Something really neat's been accomplished here.'
I'll never forget John Heard doing Shakespeare In The Park with Raul Julia and Richard Dreyfuss. It was 30 years ago, I guess. It was Othello, and John Heard played Cassio, and while everyone else was "Acting!" Heard came on talking normal, and everyone in the audience was leaning in to follow him. I wasn't doing that in Bus Stop. I think in that performance, I was putting it out a little too much.
The only criticism heard with any frequency of Elton John's first American album, 'Elton John,' was that the production was too grandiose. The melodies were superb, and lyrics frequently very good, and the performances flawless.
Heard ten thousand whispering and nobody listening. Heard one person starve, I heard many people laughing. Heard the song of a poet who died in the gutter.
Did you hear something, Nora?” Vee asked. “I thought I heard something.” “You definitely heard something,” I agreed. “Could that be … a dog fart I heard?” Vee asked me.
When I make music, I try to make something that is super colorful and something you've never heard before, so when you hear the whole album, it's a good feeling. Musically that's what I aspire to do whenever I'm making an album.
But there's times when I like to find the strange angles to something. People go, 'I heard a lot of jokes like that, but that's one of the most interesting takes I heard.' That's what I try to do.
After 'Win, Lose or Draw' we were workin' on another album that nobody's ever heard, and it's a good thing nobody heard it.
The Sicilian Defense album was never released and never will be if I have anything to do with it. I have not heard it since it was finished. I hope the tapes no longer exist.
I guarantee you that the people who watch 'Conan O'Brien' or who watch 'Entertainment Tonight' and probably a lot of these other programs have never heard of Operation Blessing. Maybe they have heard of UNICEF, and I'm sure they have heard of the Red Cross, but they haven't heard of this organization.
The Sicilian Defence was our attempt at quickly fulfilling our contractual obligation after I Robot, Pyramid and Eve had been delivered. The album was rejected by Arista, not surprisingly, and we then renegotiated our deal for the future and the next album, The Turn of a Friendly Card. The Sicilian Defence album was never released and never will be, if I have anything to do with it. I have not heard it since it was finished. I hope the tapes no longer exist.
I heard a lot of different kinds of music. I heard country music, I heard jazz, I heard symphonic music, opera, everything you can think of except very modern music.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
For the first time, he heard something that he knew to be music. He heard people singing. Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps, it was only an echo.
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