A Quote by Marilyn Manson
As far as the performance goes, I want to create an atmosphere, and use 5.1 sound and imagery and shape and form to transform the stage from one thing to another, as if you're watching a movie.
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Sometimes on stage I prefer to feel more glamorous, so I'll go all out when it's a stage outfit like sparkly, colorful, and have a certain shape. If someone is watching it from far away they can maybe remember the shape or the color.
The brilliance here is appropriation: space, form and interface combine to create a Jetsons sound machine. A dream of music access that just hovers, its floating defines a space. The shape seems so obviously sci-fi, but fresh. The function could follow the form. The shape is beautiful and functional-which hits both of the pillars of American Needs right on the head.
As a painfully shy kid, my fun time was locking myself away and watching movie after movie after movie. Watching a good performance, to me, was like getting a new toy.
There is no closed figure in nature. Every shape participates with another. No one thing is independent of another, and one thing rhymes with another, and light gives them shape.
We like the ambiance and atmosphere, and we felt really early that... I mean, of course, Air is an electronic band, but we are doing so many real recordings and the studio is so important for the sound. The acoustics create atmosphere and emotion. Also we want to be independent, we don't want to be obliged to go into a commercial studio and only stay one week because it's really expensive. We want to be able to give a chance to a song, and to spend a lot of time in the studio.
I really wanted to be able to make the music that acknowledged the metaphysical aspect of extreme sports because when I started watching GoPro videos, the thing that struck me the most was that the sound seemed completely detached from the imagery.
When Thug hears a song, he knows how the whole shape of the thing goes. He can nudge the whole frame to the left to make it offbeat and sound how he wants it to sound.
I use my hands like a sculptor, to mold and shape the sound I want, to clarify.
A sculptor is a person obsessed with the form and the shape of things, and it's not just Ihe shape of any one thing, but the shape of any thing and everything.
I had a really great performance with Steven Tyler in the movie 'Be Cool.' I performed 'Cryin',' so we recorded the song beforehand. But I didn't get to meet him until I hit the stage with him, and we had a live performance with 30,000 people in the audience, and that was for the movie.
Stand-up comedy is a different game all together. You have to improvise on the spot if you feel that the audience isn't enjoying your performance. In a movie or serial, you are in a situation while on stage you create a situation.
We spent a long time learning the craft of songwriting, Roger Glover and I, for a few years before we joined Deep Purple. You learn about the percussive value of words, and you learn about rhyme and meter. You learn that you can't transform a poem into a song lyric, mostly because the spoken shape of words is different than the sung shape of words. You wouldn't use the vowel 'U' or the vowel sound 'ooo' for a high note for example, its very difficult.
I've done one movie. And it's not a movie I want to stand on as far as acting ability goes. I mean, I'm not going to win an Oscar anytime soon. I'm not Meryl Streep.
When you see a movie, it's like you're attending a show of magic in which the magician pulls a rabbit out of a hat. You don't know how he did it, but a part of you is fascinated, or hypnotized, by what happened, another part of your brain says, "Oh, I want to do the same thing! I want to be that wielder of that magic. I want to be that magician on stage, and do the same thing to other people."
I don't know where the shape of a poem comes from. I certainly don't impose it. I write out of a jumble of emotions and vague notions and scraps of knowledge. At some stage a form or, rather, a shape mysteriously emerges.
Such crazy things happen on daytime TV; if you were to take a specific scene out of context, it can sound so far-fetched that you start laughing at the material... and that can take you out of watching the performance.
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