A Quote by Marilyn Manson
The point is that life for me is not going to be the way it is for everyone else. I have a fog machine and movie lights in my bedroom.
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It's an opportunity that's there for all of us, like a life raft or preserver to hang onto when there's nothing else or no one else around because man, we're human and no matter what, one way or another, everyone of us in our lives, at some point in time, are going to feel alone.
My office doubles as a karaoke den for the neighborhood. There are strobe lights and Rock Band plastic guitars, a disco ball and a fog machine and some other things. I have a really long work day, and you might find me doing karaoke by myself late at night.
I turned the Gloucester Christmas lights on and our local Newent lights on, so everyone recognises me now. It is a completely different life for me.
I like the fog that creeps over the whole city every night about five, and the warm protective feeling it gives...and lights of San Francisco at night, the fog horn, the bay at dusk and the little flower stands where spring flowers appear before anywhere else in the country...But, most of all, I like the view of the ocean from the Cliff House.
To me, music is a luminous experience. Whenever I'm immersed in it, life lights up for me, no matter what else is going on.
The Ramones were a great bunch of guys. They were very quiet, very shy. They were a little in awe of the filmmaking process, probably because we started at 7 a.m. I do remember the very first day of shooting, I met them and did the scene in the bedroom where Joey sings to me, and they were all scattered around my bedroom in my little fantasy scene. That was the first scene we shot of the movie. That scene is kind of a strange way to start a movie. "Okay, get undressed, and these weird guys in leather jackets and ripped jeans are going to sing to you."
My theory is that I'm just closer to the sun than everyone else. I weigh more than everyone else, I'm taller than everyone else. When it's really humid and hot outside it's going to take a bigger toll on me.
One of the traps of adolescence is the sort of paranoid resentment that somehow you're never going to match up and that everybody else's life is going to be better and finer and fuller. That everyone else attended some secret lesson in which how to live was taught and you had a dental appointment that day, or you were somehow not invited. And the point of great writers like Wilde is that they make that invitation to you.
One can imagine having a procedural rule that anything ambiguous should be treated as the Taj Mahal unless we see that it is labelled "fog". The motorist replies: "What sort of rule is this? Surely the best guarantee I can have that the fog is fog is if I fail to see the sign saying 'fog' because of the fog."
I see a lot of fog and a few lights. I like it when life's hidden. It gives you a chance to imagine nice things, nicer than they are.
Tokyo's like a huge pinball machine. The first time you're there, and you don't understand what's going on, it's like 'ding ding ding ding ding' everywhere. The lights are changing, the neon lights are moving.
Just make sure you find your own style rather than going with what everyone else is wearing. If you feel comfortable, it's going to get you noticed in the right way. That's better than worrying about what everyone else is wearing and feeling awkward. That's the most important thing.
I feel I have audiences on my side, and that's what keeps the movie machine going for me.
I think that there's a natural attraction to enigmatic characters, people that have decided to make a decision in their lives to live differently than everyone else. That's a very attractive quality that also happens to be good for filmmaking, people that have their own point of view and aren't looking at things the same way as everyone else.
I've never written a movie, I'm not in the movie business. I go out to L.A. and I'm like everyone else wandering around in a daze hoping I see movie stars. I write the novels that the movies are based on, and that feels like enough of a job for me.
I asked myself, 'What are you going to do with your life? Are you going to be like everyone else or are you going to do what's right?' I just made a decision. I said, 'It's time to grow up. It's time to start living for the Lord, do things the right way.' I accepted the Lord, and it changed my life.
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