A Quote by Marilyn Monroe

Of the nude pictures: Sure I posed. I needed the money. — © Marilyn Monroe
Of the nude pictures: Sure I posed. I needed the money.
Once I posed nude for a magazine. I've never been back to THAT newstand.
I've posed nude for a photographer in the manner of Rodin's Thinker, but I merely looked constipated.
I posed nude to show my parents they couldn't dictate to me any more - that I control my life.
I've done a nude scene and I felt it was appropriate to the storyline and I thought it was done in a respectful way and I felt comfortable doing it. But there are obviously going to be scenarios - not necessarily in this job, but in other jobs to come - where the question will be posed to me 'Will I want to do nude scenes?' and I would have to consider that as its own thing. And not just something to say yes to because I have done so before. It really is circumstantial.
Sure, having my pictures taken in the nude and doing things that I did got me in the door but it didn't keep me in the room. To have lasted as long as I've lasted, obviously, I have to have something more going for me.
You have to be luxurious nude. It's difficult to move in the nude in front of a mirror. It's much easier to move when you're dressed. But if you can walk around in the nude easily in front of your man, if you can be luxurious in the nude, then you've really got it.
Since I switched to an iPhone, I did start taking pictures of people I like. Until then, I strangely never took pictures. I think the iPhone became this space that was different enough from a "photograph," so I find myself taking pictures of daily things. If someone I dated asked me to take their picture, I would most likely find it disturbing. Perhaps nude pictures would be fun. But that would have to be on an iPhone.
My mother would kill me if I posed nude! My mother raised me with certain standards.
A person is quite different from a tree or rock or stream. By introducing the nude into my pictures, I started perceiving all the things I was photographing in new ways. In contrast or opposition to each other, things became much more significant and interesting, revealing many more qualities than I had ever dreamed of knowing and expressing. By using the nude, I stopped thinking in terms of objects.
Pictures should never be posed. They are 'revealed' so must be accepted as they are. Left alone.
In a painting no one complains that the subject is posed, but everybody complains about what looks posed in a photograph. Except, I've found that if I go very close in to the face, then the posed expression no longer exists. The face becomes a landscape of the lakes of the eyes and the hills of the nose and the valley of the cleft of the chin.
Hey! Who stole my collection of used bandages?! And they also got away with my nude pictures of Ernest Borgnine!
The spectacle of a judge pouring over the picture of some nude, trying to ascertain the extent to which she arouses prurient interests, and then attempting to write an opinion which explains the difference between that nude and some other nude has elements of low comedy.
Marilyn Monroe seemed to have a kind of unconscious glow about her physical self that was innocent, like a child. When she posed nude, it was 'Gee, I am kind of, you know, sort of dishy,' like she enjoyed it without being egotistical.
For mines are for men, not for money. And money is not something to go mad about, and throw your hat into the air for. Money is for food and clothes and comfort, and a visit to the pictures. Money is to make happy the lives of children. Money is for security, and for dreams, and for hopes, and for purposes. Money is for buying the fruits of the earth, of the land where you were born.
I made a list of people who needed just a little bit of money. And when the list was complete, there were 42 names. The total amount of money they needed was $27. I was shocked.
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