A Quote by Marilyn Monroe

First, I'm trying to prove to myself that I'm a person. Then maybe I'll convince myself that I'm an actress. — © Marilyn Monroe
First, I'm trying to prove to myself that I'm a person. Then maybe I'll convince myself that I'm an actress.
I once wanted to prove myself by being a great actress. Now I want to prove that I'm a person. Then maybe I'll be a great actress.
I'm trying to find myself as a person, sometimes that's not easy to do. Millions of people live their entire lives without finding themselves. But it is something I must do. The best way for me to find myself as a person is to prove to myself that I am an actress.
I research every possible bit of information I can find. Then I use about a tenth of it. But I have to know all the information first; otherwise, I'm not going to convince myself, and if I can't convince myself, then I'm not going to convince the reader.
My philosophy in life... is to prove myself to myself and not to others. I tried to teach my children that, that I have to respect myself, to prove to myself that I can do the best I can.
I'm not out there trying to get press for myself nor am I trying to convince anybody that I'm living any kind of a life. I'm actually trying to convince people: I don't want you to know what I'm living, because it's none of your business.
I'm constantly trying to make myself better, to learn more. I didn't finish college, so I feel like I'm always having to prove myself. I don't want to feel like the smallest person in the room.
I'm the type of person who feels I have to prove myself first.
Every time I dance, I'm trying to prove myself to myself.
I'm not trying to prove anybody wrong, I'm just trying to prove something to myself.
I don't see myself as a conventional or an unconventional actress. I am just an individual trying to carve a niche for myself that nobody else can fill.
If you have a person enslaved, the first thing you must do is to convince yourself that the person is subhuman. And won't mind the enslavement. The second thing you must do is convince your allies that the person is subhuman so that you have some support. But the third and the unkindest cut of all is to convince that person that he, she, is not quite a first class citizen.
I am very ambitious and have set goals for myself. I really don't keep a tab on what my contemporaries are doing. I want to push myself as an actress and don't want to get into the rat race. With every film, I want to grow as a person and an actress. The character I play needs to change me in real life.
Like, that was weird in 'Hamlet 2,' because I played myself there, fully myself, but then I realized, 'Oh, I'm not playing myself. I'm some weird version of myself.' So as an actress, you're always playing something, I don't even know who I am, how could I become me? I don't know what that is.
I had to detach myself from myself, if that makes any sense, to conjure an authentic first-person voice. In that sense, it was similar to writing a first-person novel. But I was writing about real people, not fictional ones - myself, my family, my friends and boyfriends and ex-husband, and that was extremely tricky.
Sometimes, as practice for trying to convince myself that God exists, I try to convince my shadow that the sun exists.
In a time when everybody is talking about finding oneself, how do you find yourself? I wanted to do it as literally as possible. How do I prove that I'm concentrating on myself? I prove it by doing something physical. I can bite myself. I can burn the hair off my chest. The goal? Yes, I have a body. I have this thing that people call the self. Maybe I can change the self.
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