A Quote by Marilyn Monroe

An actor is supposed to be a sensitive instrument. Isaac Stern takes good care of his violin. What if everybody jumped on his violin? — © Marilyn Monroe
An actor is supposed to be a sensitive instrument. Isaac Stern takes good care of his violin. What if everybody jumped on his violin?
Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.
Well, my main instrument is violin, but I think of myself as a songwriter who happens to play violin.
Bach in general was so good with the violin. He just finds the genius way around his music on the instrument. When you think about the fact that the instrument has changed significantly since he wrote for it and his music still really works, it's brilliant. He was definitely ahead of his time. There's something so satisfying about his music. It's beautifully organized and emotional at the same time. I find it highly exciting.
A violinist had a violin, a painter his palette. All I had was myself. I was the instrument that I must care for.
Bach in general was so good with the violin. He just finds the genius way around his music on the instrument.
The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn't look like a violin is no reason to assume his techniques should be thought of as less difficult.
Furthermore--though it was quite irrelevant now--he had no idea his killer, Kazuo Kiriyama, had, in his mansion that was much larger than Toshinori's home in Shiroiwa-cho, mastered the violin at a level far superior to Toshinori's a long time ago--and then tossed his violin into the trash.
It was pitch dark. I could hear only the violin, and it was as though Juliek's soul were the bow. He was playing his life. The whole of his life was gliding on the strings--his last hopes, his charred past, his extinguished future. He played as he would never play again...When I awoke, in the daylight, I could see Juliek, opposite me, slumped over, dead. Near him lay his violin, smashed, trampled, a strange overwhelming little corpse.
I was playing violin for a long time, about 6 years. It takes a while. You need very patient people in your house when you have a violin.
The only thing I can say that is not bullshit is that you do have to learn to write in a way that you would learn to play the violin. Everybody seems to think that you should be able to turn on the faucet one day and out will come the novel. I think for most people it's just practice, practice, practice, that sense of just learning your instrument until - when you have an idea on the violin, you don't have to translate it into violin-speak anymore - the language is your own. It's not something you can think your way into, or outsmart. you've just got to do it.
I know writers who write only when inspiration comes. How would Isaac Stern play if he played the violin only when he felt like it? He would be lousy.
Wo wei ni xie de,” he said, as he raised the violin to his left shoulder, tucking it under his chin. He had told her many violinists used a shoulder rest, but he did not: there was a slight mark on the side of his throat, like a permanent bruise, where the violin rested. “You — made something for me?” Tessa asked. “I wrote something for you,” he corrected, with a smile, and began to play.
[Billy Strayhorn] understood the violin as well as he understood Jazz, and he wrote for the violin as a violin.
A computer is like a violin. You can imagine a novice trying ?rst a phonograph and then a violin. The latter, he says, sounds terrible. That is the argument we have heard from our humanists and most of our computer scientists. Computer programs are good, they say, for particular purposes, but they aren’t ?exible. Neither is a violin, or a typewriter, until you learn how to use it.
Life is a guy trying to play a violin solo in public, while learning the music and his instrument at the same time.
When I was eight, an uncle, great uncle, gave a violin to me, and my father took me off to have lessons. After about six weeks, the violin teacher told my father he was wasting his money, wasting his time, and wasting my time, and it's one of my big regrets.
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