A Quote by Marilyn Monroe

An actor is supposed to be a sensitive instrument. — © Marilyn Monroe
An actor is supposed to be a sensitive instrument.
An actor is supposed to be a sensitive instrument. Isaac Stern takes good care of his violin. What if everybody jumped on his violin?
I think so many people give us ideas of what we are. I think as women especially, because we're sensitive by nature, we're more vulnerable, we absorb other people's ideas about what we're supposed to think or who we're supposed to be and how we're supposed to act.
What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world's beauty, is everything!
An actor uses his body as a tool and an instrument. In the same way a musician plays an instrument, the actor uses his body to convey feeling and emotion. An animator uses a pencil or a computer to create the same thing, the same exact way... An actor is taking words that are not his own, and he has to bring some kind of authentic life to those words. It's the same goal, to create this authentic life. Even if it's a drawing, or if it's a cartoon, you're still trying to create authenticity because, if the character emotes authentically, it has a power to connect with the audience.
I believe that our world needs an instrument of global action as never before in history. I believe that the United Nations is the instrument for securing peace and for giving people everywhere, in poorer countries as in richer, a real stake in that peace by promoting development and encouraging cooperation. But the United Nations is only an instrument, an actor in need of props and cues from its directors, And so I will paraphrase Winston Churchill: Give us the tools-the trust, the authority and the means-and we will do the job.
I'm foremost an actor. I feel embarrassed being compared to the guys who really work at it. I fake it, I make believe I know all about it, which is what you're supposed to do as an actor.
I'm a sensitive, sensitive person. Overly sensitive. Extremely emotional.
The actor should not play a part. Like the Aeolian harps that used to be hung in the trees to be played only by the breeze, the actor should be an instrument played upon by the character he depicts.
As an actor, you're supposed to take jobs that will challenge you or force fans to see you in a different light. By the '90s, I wasn't really an actor anymore. I was someone who went on the road with these gigantic concerts.
As an actor, your body is an instrument.
[The camera] may be said to make a picture of whatever it sees, the object glass is the eye of the instrument - the sensitive paper may be compared to the retina.
The basic idea of a hyper instrument is where the technology is built right into the instrument so that the instrument knows how its being played - literally what the expression is, what the meaning is, what the direction of the music is.
An actor is an instrument. One needs to control them.
I don't know if I've become a better actor or a more sensitive one. But I've learnt what not to do.
As an actor, demonstrating your feelings in front of people is not what you're supposed to be doing. You're supposed to hold your emotions and control them, and not show them all over the place.
Every instrument that has been designed to be sensitive enough to detect weak light has always ended up discovering that the same thing: light is made of particles.
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