A Quote by Marilyn vos Savant
One cannot inherit a talent for the violin - there are no violins in nature. Instead, one must be motivated, able to benefit from practice, and persevering.
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The only thing I can say that is not bullshit is that you do have to learn to write in a way that you would learn to play the violin. Everybody seems to think that you should be able to turn on the faucet one day and out will come the novel. I think for most people it's just practice, practice, practice, that sense of just learning your instrument until - when you have an idea on the violin, you don't have to translate it into violin-speak anymore - the language is your own. It's not something you can think your way into, or outsmart. you've just got to do it.
As a dead man cannot inherit an estate, no more can a dead soul inherit heaven. The soul must be resurrected in Christ.
Apparently there is a great discovery or insight which our culture is deliberately designed to suppress, distort, and ignore. That is that nature is some kind of minded entity. That nature is not simply the random flight of atoms through electromagnetic fields. Nature is not the empty, despiritualized , lumpen matter that we inherit from modern physics. But it is instead a kind of intelligence, a kind of mind.
Instead of an aristocracy of wealth, of more harm and danger than benefit to society, to make an opening for the aristocracy of virtue and talent, which nature has wisely provided for the direction of the interests of society and scattered with equal hand through all its conditions, was deemed essential to a well-ordered republic.
Well my dad forced me into playing the violin when I was about three and it all started from there. I went to Suzuki for violin lessons, and you learn to play by ear instead of reading music.
Ability for stupendous toil is lodged in every human spirit, a grand gift from the God of nature; but only the persevering worker knows what this latent power is able to achieve.
A man must be able to cut a knot, for everything cannot be untied; he must know how to disengage what is essential from the detail in which it is enwrapped, for everything cannot be equally considered; in a word, he must be able to simplify his duties, his business and his life.
I think the western is about people in harsh places trying to tame an unfriendly wilderness. Because life is defined by struggle, it's kind of the perfect microcosmic experience to explore that. 'Here we are, struggling.' It's about people persevering and persevering and persevering.
Nature never gives to a living thing capacities not particularly meant for its benefit and use. If Nature gives to us capacities to believe that we have a Creator whom we never saw, of whom we have no direct proof, who is kind and good and tender beyond all that we know of kindness and goodness and tenderness on earth, it is because the endowment of capacities to conceive a Being must be for our benefit and use; it would not be for our benefit and use if it were a lie.
Haiti's economy cannot be built by and benefit just a privileged few. It must be built by and benefit all Haitians.
Training is needed in order to love properly; and to be able to give happiness and joy, you must practice DEEP LOOKING directed toward the other person you love. Because if you do not understand this person, you cannot love properly. Understanding is the essence of love. If you cannot understand, you cannot love. That is the message of the Buddha.
My mum would take us to ballet, and we used to go as a family to Brownies. My dad used to take us to Saturday music school. My parents would never say: 'Oh, you've got to practice your violin now before tea.' We were self-motivated.
I inherited a painting and a violin which turned out to be a Rembrandt and a Stradivarius. Unfortunately, Rembrandt made lousy violins and Stradivarius was a terrible painter.
Artistic talent is a gift from God and whoever discovers it in himself has a certain obligation: to know that he cannot waste this talent, but must develop it.
And yet my, not only my faith, but my experience has led me to believe that the world is not a construction of space and time and matter and energy. That that mapping is insufficient. That the world is instead some kind of a linguistic construct. It is more in the nature of a sentence, or a novel, or a work of art than it is in the nature of these machine models of interlocking law that we inherit out of a thousand years of rational reductionism.
I don't sleep with a violin in my bed, but there is something very magical about the instrument. You open up the case; it's a masterpiece, it's gorgeous, the varnish is still there from 300 years ago. People who know violins, they look at it and it's almost like a face.
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