A Quote by Marilynne Robinson
One of the things that is nice about these old pastors - they were young at the time - who went into the Middle West is that they were real humanists. They were often linguists, for example, and the schools that they established were then, as they are now, real liberal arts colleges where people studied the humanities in a very broad sense. I think that should be reflected in his mind; appropriately, it is.
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I think that's something that always enticed me about the '40s - back then, the glamour and the style - you couldn't really make it up. You just were or you weren't. You either fit in that world or you fit in the other. Things were very cut and dry. Things were simple. There wasn't a whole lot of excess or flash to be flashy; it was real flash, and real excitement.
In Greenville, we were blessed to have lots of youth arts programs. I changed middle schools to go to an arts middle school. Then, when high school came, I went to normal high school for a little while before auditioning for the Governor's School for Arts and Humanities.
Those old '90s models when women were just themselves and they were real and they were embraced that way - I think we should get back to that.
The things I had were mine and some of them were broken, but they were real. They were so very far from nothing.
Growing up, there were TV shows that were very funny but very traditional. Classic things like 'Fawlty Towers,' obviously, and 'Blackadder' were pretty traditionally shot. And then there were the ones that start to break the mold or be really ambitious. The ones that spring particularly to mind would be 'The Young Ones.'
The idea of social performance, that we're always performing identities, is something I got fairly obsessed with. I think it's probably because I am a person who went to 15 different elementary and middle schools. I moved all the time, often having to run out in the middle of the night because my mom couldn't pay the bills. There were schools where I'd be the poor loser kid. There were schools where I'd suddenly be the smart kid or the cool kid, although that was very seldom.
I tried to write things, but they were so ridiculous and stupid and impossible and I had not a clue what they were, so that delusion went on for a long time. Maybe it's still going on, only somehow I sucked some people in. It was a long time of writing things that didn't make sense in the real world, and I'm embarrassed about them now in a jocular way.
My sense is that file sharing started in predominantly white, middle- and upper-middle-cl ass young people who were native-born, who felt they were entitled to have something for free, because that's what they were used to.
We were young, we were merry, we were very, very wise, And the door stood open at our feast, When there passed us a woman with the West in her eyes, And a man with his back to the East.
Once the troops move into Cambodia, the colleges and universities of this country were on the verge of civil war. Many closed down. The students were up in arms. And it looked very much like there were going to be real problems in this country.
I had said that Le Guin's worlds were real because her people were so real, and he said yes, but the people were so real because they were the people the worlds would have produced. If you put Ged to grow up on Anarres or Shevek in Earthsea, they would be the same people, the backgrounds made the people, which of course you see all the time in mainstream fiction, but it's rare in SF.
The 70s were a wonderful time to be young. I think most young people at that time were pushing the boundaries, asking all sorts of questions of society, of life and of themselves. They were very politicised. It was part of the air that we breathed.
I'm quite convinced in my own mind that those who were arguing that [the need to intervene in Iraq] was a more immediate one than some believed - were I'm sure convinced that they were right on fact, I don't think they were making it up. So as to lying, I don't think it has been established that any lies were told.
The 1960s and 1970s were the real years for independent film, because they were really independent. Plus, there were hundreds of distributors. There were all these companies that basically did exploitation, but they were independent. Now, there are very few independent distributors.
Culturally, I found myself in a very weird situation: you were the person that had made that journey to the West, and then you were going back to comment on something, and then suddenly you were questioned and told, "You can't touch that now because you're a pop star."
Go back to the Bible, the Old Testament. I mean there were people who we would call intelectuals, there, they were called prophets, but they were basically intelectuals: they were people who were doing critical, geopolitical analysis, talking about the decisions of the king were going to lead to destruction; condemning inmorality, calling for justice for widows and orphans. What we would call dissident intelectuals. Were they nicely treated? No, they were driven into the desert, they were imprisoned, they were denounced. They were intelectuals who conformed.
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