A Quote by Marin Ireland
My favorite thing to hear from people is, 'I left the theater and couldn't stop thinking about it.' You want your work to have an impact after they leave the theater. It's the equivalent of leaving a musical humming a show tune.
Related Quotes
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera.
Chicago theater vs. New York theater. There's just nothing to say about it really. If you've seen Chicago theater, you know that the work is true to what is there on the page. It's not trying to present itself with some sort of flashy, concept-based thing. It's about the work, and it's about the acting you're about to watch. So acting-based theater feels like it was born there to me.
One hundred percent, all your Shakespeare training serves you in the work in musical theater today: specifically in modern musical theater, our soliloquies, and now what we call rap. It's the reason it's so easy to learn, because it's verse; it's rhyme! It just sticks in the soul very easily.
Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
I was there when the quote-unquote golden age of musical theater was flourishing. I met everybody who worked in theater or was famous in theater from the '40s on.
I'm constantly involved in theater, looking at theater, trying to do work in theater, support theater. And that's kind of my creative passion.
I come from musical theater, and a lot of musical theater is about accepting fantasy. I think it is more about just being open and accepting.
I don't want people leaving the theater depressed after my movies. I want them angry.
I always wanted to make an album, but I knew that I didn't want it to be a musical theater album. It's not that I don't love them - I own every musical theater album ever made - but it just didn't seem right for me.
I double majored in English education and theater with a musical theater minor. Teaching is the only thing that makes me as happy as performing.
Theater, especially musical theater, is a collaborative endeavor. The success of the venture is about the team.
I always wanted to do musical theater. That was where I saw my life going since I was a musical theater major in college before I went to Pentatonix.
The wonderful thing about theater is that it has so many people involved in the creation of it. The worst thing about theater is that it has so many people involved in the creation of it. That dynamic is thrilling and challenging every time you make a show.
'Cabaret' was one of the first pieces of musical theater I saw that showed the possibilities of what musical theater can do.
I was interning at a children's theater group in Kentucky - that was my first job out of college. I had jumped around a couple of regional theaters, and I was about to go back to Maine to work at a summer Shakespeare theater there. I didn't want to just jump around the country from gig to gig. I really wanted to go to a city and get involved in a theater scene and a theater community.
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