A Quote by Marina Abramovic

You know the movie "Rashomon" from [Takeshi] Kurosawa, when all the people in the forest see something different? Each performance was like that. — © Marina Abramovic
You know the movie "Rashomon" from [Takeshi] Kurosawa, when all the people in the forest see something different? Each performance was like that.
I never try to guess what anyone else will take from a movie. Every movie is such a different experience for each and every person. I don't like it when people try telling people what they should take from a movie. You should go see it with fresh eyes and see for themselves.
Kurosawa is my hero, and I've taught courses on his films, and I love what he does, and 'Rashomon' is, I think, his second greatest film after 'Ikiru.'
I just like surprising people. I never want to get to a place where people see that I am in a movie and they go see the movie and they expect a certain performance one way or the other. That is just inherently boring to me.
Then shut up or grab a sword and come help. (Takeshi) Is that a challenge? (Savitar) It would be if I didn’t know for a fact that you’re too lazy to rise to one. (Takeshi)
There's something very simple and contemplative about 'John Wick' - what is interesting is that it looks like it was based on an Akira Kurosawa movie.
I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses.
The contemporary Japanese directors who are well-known in the West - say, Kiyoshi Kurosawa, Takeshi Kitano, Naomi Kawase - are mostly unknown to Japanese, particularly of the younger generation.
Hey, aren’t we forgetting something? (Savitar) Your dignity? (Takeshi) No, you have me confused with you again. Aren’t you supposed to be training him? (Savitar) So you admit my superiority by deflecting my attention to the neophyte. (Takeshi)
If you've ever walked a mile into a virgin forest - you know, like a deep forest where trees have been uncut - the energy is totally different from the shopping mall.
I know a movie and a book are two different things and you are going do different media in different ways. No author can want a movie to be exactly like the book because then it will be a bad movie.
One thing I have figured out: People don't like different. People don't like to see anything different. When you see something different, you are either scared or afraid or you feel threatened. And I feel that the way I play the game, it feels like I should have played 50 years ago. But it's what I do.
I've met people who will go to a movie that I can't stand and they say that they saw that movie ten times. There's something they like and identified in that movie, and I don't see it.
I was a teenager, and I went to see the Superman movie, and up to the point I walked into that movie, I was a kid with no direction and no real purpose and no strong parental figures, and kind of aimless. I walked out of that movie knowing that whatever my life was going to be from then on, it had to have something to do with Superman, because something touched me emotionally with Christopher Reeve's performance.
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
There's this guy: his name, Sedik Ali. He's like the African Kurosawa. You know how Kurosawa does stuff from feudal Japan? This guy does the feudal system of Africa.
When you have a movie that has big stars in it... like, Will Smith does a great job in 'I Am Legend,' and it's a magnetic performance, but he's always Will Smith. That's not his fault. That's not anyone's fault. He's the center of it, and he's a movie star. But when you see something like 'Jurassic Park,' Sam Neill is Alan Grant.
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