A Quote by Marina Abramovic

Americans aren't accepting of black humor, it's terrible. — © Marina Abramovic
Americans aren't accepting of black humor, it's terrible.
The great drama at the core of American race relations is always the same: Can black Americans ever be truly equal - are they capable of achieving it and are others capable of accepting it?
I am a black American, I say, and thus announce my atavistic connection to all others who live as black Americans, to all who ever lived as black Americans. Religion, caste, class, gender and race can all be atavisms, and they are inherently anti-democratic because they exclude all outside the atavism.
I think black Americans expect too much from individual black Americans in terms of changing the status quo.
Humor is really one of the hardest things to define, very hard. And it's very ambiguous. You have it or you don't. You can't attain it. There are terrible forms of professional humor, the humorists' humor. That can be awful. It depresses me because it is artificial. You can't always be humorous, but a professional humorist must. That is a sad phenomenon.
I was adopted my black Americans, I feel that I'm a 'Hybrid'. When I'm around Africans'I suddenly feel very black American. And when I'm around black Americans'I feel very North African. North Africa and black America are both the creators of Kola Boof.
I used to think that humor was the only way to appreciate how wonderful and terrible the world is, to celebrate how big life is. But now I think the opposite. Humor is a way of shrinking from that wonderful and terrible world.
I use a lot of humor in my writing. But it's completely black humor.
The good thing about New Orleans is that, overall, it's an accepting place. It's accepting of eccentricity, it's accepting of excess, it's accepting of color, in the sense of culture, not necessarily in the sense of race.
Without humor, a sports fan is a religious fanatic. Without humor, a newscast is a terrible, depressing, unpalatable thing.
It's terrible to write what are essentially comedies for people with no sense of humor. Everyone thinks they have a sense of humor, but observably not.
September 11 was terrible but, if one goes back over the history of the IRA, what happened to the Americans wasn't that terrible.
September 11 was terrible, but if one goes back over the history of the IRA, what happened to the Americans wasn't that terrible.
So white guilt is not a guilt of conscience; it's not something that you get up in the morning and say, my God, I feel guilty about what happened to black Americans. Rather it is the fact that in relation to black Americans you lack moral authority.
To my mind, a well-developed sense of humor is the surest indication of a person's humanity, no matter how black and bitter that humor may be.
Black Lives Matter is proving itself to seek only one end - and that is discord, alienation among Americans, rise in hate, and destruction of community bonds. The relative increase in justice afforded black Americans is of little concern, save as a convenient veneer for their anti-democratic mission.
Black Americans should be given credit for finding probably the perfect weapon; the weapon of the song. And that song continues. Most holocausts don't, so they have this bitterness left over. The phenomenon of the world, as far as Black Americans are considered, is that we are not a bitter people.
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