A Quote by Marina Abramovic
When I did "Seven Easy Pieces," I actually re-performed the performances of other artists. It was such difficult work because I had to really go through the documentation, look through the sources, to ask the witnesses who saw it.
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I get through difficult situations by looking at how other people have gone through them. I say to myself, 'If they can go through it, then I can.' Or, If they can go through worse, I can go through whatever I'm going through.
No one ever said learning was to be easy, but it's part of the process of evolving as a human being, and we all have to go through it. When I look back, I see that each difficult time brought an important lesson. And I prefer to look at it with gratitude because I wouldn't be who I am today if I haven't gone through it all.
When I am working a book, I go through my library and take a look through some of the great cartoonists of the past, like Cliff Sterrett, who did "Polly and Her Pals," or Winsor McCay who did "A Little Nemo in Slumberland," and Herriman - and I just looked through these guys and looked for somebody to steal. You know, looked for who I could swipe, or turn into - who's work I will turn into my work. And I still use, after all these years, these artists as inspirations. So, here in my eighties, I go back to when I was eight for my inspiration.
When it comes to rugby, I'm a Welshman through and through. I'm a huge fan; I've played rugby since I was seven. Unfortunately, I had to quit when I went to drama school because it doesn't really go hand in had with being an actor.
You don't know how much artists go through to make it look so easy. It's all in the practice.
I'd gone through periods where I didn't work live performances for probably seven or eight months at a time.
I did a record with Janet Jackson, and it went to the top of the charts, and we had all of these complications, and she couldn't be in the video and couldn't do anything for the record. I went through something similar with Pitbull. I think it works really well for a lot of other artists, but for me, it just doesn't work that well.
There are vivid memories from my childhood-what we had to go through because of low wages and the conditions, basically because there was no union. I suppose if I wanted to be fair I could say that I'm trying to settle a personal score. I could dramatize it by saying that I want to bring social justice to farm workers. But the truth is that I went through a lot of hell, and a lot of people did. If we can even the score a little for the workers then we are doing something. Besides, I don't know any other work I like to do better than this. I really don't.
I don't see how they can with most of my pieces, but I think it's unfortunate that they can through familiarity with flashy performances of a great deal of other music.
I took classes and performed and did improv and sketch and wrote sketches and did lights and sound for other people's shows just so I could be around the theater. That was about seven nights a week for seven years.
We rehearsed for a bit for an Indie film, which is kind of unusual, we had a week of rehearsals before we actually shot the films so we were able to really break down the script and kind of work through all of the improvisational things that he wanted to do, so he had a chance to really feel his way through before we actually shot it and I think that helped a lot.
When I got married, I was all in love, but then came life intruding in, and sometimes it's difficult ... I would look at my husband and ask, 'did we do it too quickly?' ... But my husband was strong in his resolve. He kept reminding me that people go through this, and that we were going to be ok.
I feel like in my life, when I've gone through during some traumatic things, I go so inward and I shut the world out and I become - I don't want to use the word selfish because it's hard circumstances, but when I go through hard stuff, it's difficult for me to communicate with other people, let alone stand up for other people's rights.
I pass through the difficult moments in life, really difficult times on grass, during my seven years of my career. All of a sudden I felt comfortable.
Ask any athlete: We all hurt at times. I'm asking my body to go through seven different tasks. To ask it not to ache would be too much.
Why?' is always the most difficult question to answer. You know where you are when someone asks you 'What's the time?' or 'When was the battle of 1066?' or 'How do these seatbelts work that go tight when you slam the brakes on, Daddy?' The answers are easy and are, respectively, 'Seven-thirty in the evening,' 'Ten-fifteen in the morning,' and 'Don't ask stupid questions.
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