A Quote by Marina Abramovic

The complete absence of the story - that was the best thing about this whole thing, because you know that nothing's going to happen and everything's going to happen. It's just the gaze. You create your own zone.
And it's best if you know a good thing is going to happen, like an eclipse or getting a microscope for Christmas. And it's bad if you know a bad thing is going to happen, like having a filling or going to France. But I think it is worst if you don't know whether it is a good thing or a bad thing which is going to happen.
Terrible things happen all of the time, and they can happen in a second. The best thing is to be prepared to react. If you try to control every little thing, you're going to end up miserable - and you're going to fail.
The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happen, even the writers.
The police pull up in back of my car and run my plates - they don't see you as you are; they see you through a racialized negative gaze. I think the best thing is not to internalize it too much, or it'll make you crazy because you know it's going to happen again.
I know a dramatic role is going to happen, but you just got to be patient, you know? It's going to happen when it's supposed to happen. I'm not rushing it. I'm not trying to make it happen tomorrow.
If you know anything about Islamic civilization, or about the contemporary Middle East, about the sociology and the anthropology of the people who live there, and their recent history, and their religion, and their motivation and everything, then you realize that changing Iraq into a democracy is not going to happen. It's just not going to happen.
That's the great thing about filmmaking: Things happen you don't know are going to happen at the end.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
The whole thing about doing TV is that you never know what's going to happen. You just have to go with it and go with the flow.
You're probably wondering what's going to happen to you. That's easy. The same thing is going to happen to you that has happened to every other human being who has ever lived. You're going to die. We all die. That's just how it is.
Draft night for me - I watched it in my dorm in college. And it started off with just me and a friend, because I knew I probably wasn't going to get picked right away. I thought it was going to be a little later. But, you know, you watch the whole thing. You never know what might happen, so you gotta watch.
If you are waiting for this thing that might happen tomorrow, it probably will never happen. You need to activate it now! No one else is going to do it for you, and ten years are going to go by before you even know it.
I've been watching politics for 35 or 40 years and you just never know. You can have one person win the Iowa caucus and then the whole picture changes ten minutes later. The same thing can happen again after New Hampshire. I have no idea what's going to happen with our country in the future.
Whatsoever you are waiting for, you are waiting in vain. It is not going to happen, and what is going to happen has nothing to do with your expectations and your desires. You just let it come in; don't block the way. Remove yourself out of your own way. This time, with no expectations, no desires, no hopes, just meditate.
It just brings a different element to the table when you're wrestling with a guy as a partner because you don't know what's going to happen. When you have just a regular women's match or regular men's match you know they're going to fight. When there's a little bit of a mixture, you never know what's going to happen, and I think it's a lot of fun.
I'm not sure about this Live 8 thing. Correct me if I am wrong, but are they hoping that one of these guys from the G8 is on a quick 15-minute break at Gleneagles and sees Annie Lennox singing "Sweet Dreams" and thinks: "F... me, she might have a point there, you know." It's not going to f... happen, is it? Keane doing "Somewhere Only We Know" and some Japanese businessman going: "Aw, look at him...we should really f... drop that debt, you know." It's not going to happen, is it?
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