Theatre remains the only thing I understand. It is in the community of theatre that I have my being. In spite of jealousies and fears, emotional conflicts and human tensions; in spite of the penalty of success and the dread of failure; in spite of tears and feverish gaiety this is the only life I know. It is the life I love.
Each man is questioned by life; and he can only answer to life by answering for his own life; to life he can only respond by being responsible.
There are really only two ways to approach life - as victim or as gallant fighter - and you must decide if you want to act or react, deal your own cards or play with a stacked deck. And if you don't decide which way to play with life, it always plays with you.
Life found itself alive and somehow knew its opposite was death. We are ever being born, or dying, and the thrill of choosing is ours. Only once, must we be born without our own consent. Only once, must we die without our own permission
I believe you can only draw from your own life as an actor. All the characters I've played, I only have my infinite eye and the presence of my life to take from.
With only one life to live we can't afford to live it only for itself. Somehow we must each for himself, find the way in which we can make our individual lives fit into the pattern of all the lives which surround it. We must establish our own relationships to the whole. And each must do it in his own way, using his own talents, relying on his own integrity and strength, climbing his own road to his own summit.
When one is anxious only to live, he easily, in this solicitude, forgets the enjoyment of life. If his only concern is for life, and he thinks "if I only have my dear life," he does not apply his full strength to using, i. e., enjoying, life.
We study play because life is crap. Life is crap, and it’s full of pain and suffering, and the only thing that makes it worth living — the only thing that makes it possible to get up in the morning and go on living — is play. Art and play.
It's only in bad novels that people are divided into two camps and have nothing to do with each other. In real life everything gets mixed up! Don't you think you'd have to be a hopeless nonentity to play only one role all your life, to have only one place in society, always to stand for the same thing?--Ah, there you are!" - Larissa Fyodorovna in Doctor Zhivago.
I didn't want to get into acting just to play bystanders. I feel a bystander enough in my own life. And I do think that theatre can contribute to a certain analysis and commentary on our own world.
The holy, all-loving, all-powerful, all-mighty, perfectly peaceful and joyful Life of God is waiting to be ours. It is a priceless gift that comes with only one condition: His Life can only be had in exchange for our own.
I am essentially someone who comes from the theatre. I love the theatre. Unfortunately, theatre doesn't pay the bills. Only in theatre abroad, I get a wage.
The right to life is not a woman's issue. The Lord is the giver of life and only He can make choices about life. It is always a reward to have life ... only the Lord gives and takes life.
We study play because life is crap. Life is crap, and it's full of pain and suffering, and the only thing that makes it worth living - the only thing that makes it possible to get up in the morning and go on living - is play.
The life of a creator is not the only life nor perhaps the most interesting which a man leads. There is a time for play and a time for work, a time for creation and a time for lying fallow. And there is a time, glorious too in its own way, when one scarcely exists, when one is a complete void. I mean-when boredom seems the very stuff of life.
... as we age we have not only to readdress earlier developmental crises but also somehow to find the way to three affirmations that may seem to conflict. ... We have to affirm our own life. We have to affirm our own death. And we have to affirm love, both given and received.