A Quote by Marina Abramovic

Performance has to be mainstream art. This is what I'm fighting for. — © Marina Abramovic
Performance has to be mainstream art. This is what I'm fighting for.
I went to art school for fine art and then I started doing performance art, and then I started making fun of performance art, and it turned into comedy.
Right now anything made for the iPad is like performance art. I'm not interested in performance art. Comics are too hard to make to be done for such a passing blip. When it stabilizes, I'll look at it.
I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."
Performance art is going to be the future. Plays on Broadway are so restricted. But performance art is like haikus, just one line thing. And it's more casual but more interesting.
I made my performance debut in New York City downtown on the Lower East Side in college doing awkward performance art as a go-go dancer at Lady Starlight's Party. And I never thought that my love for mediocre performance art and bad mime would ever come to use in my career as an actor. But my fantasies came true and I got to play Maureen in Rent.
Poetry is not mainstream, but then neither is serious fiction, really. But I don't think there's a lot to worry about in this particular 'problem'. Why does art have to be mainstream to be significant?
Art is revelation instead of information, expression instead of description, creation instead of imitation or repetition. Art is concerned with the HOW, not the WHAT; not with literal content, but with the performance of the factual content. The performance - how it is done - that is the content of art.
I want to commend the men and women at CPAC. As activists fighting for liberty, fighting for the Constitution, y'all are incredibly important. You are incredibly important number one in shocking and terrifying the mainstream media.
It's impossible to say that live art enjoys any single status in the information age--there are versions of live art that are still primarily art-world phenomena, others that appeal to much broader audiences. The Burning Man festival is a case in point--an event featuring performance that is itself a performance, which partakes simultaneously of frontier mythology, a counter-cultural impulse, and popular cultural visibility.
I'm extremely critical. I don't consider myself a performance artist. I balk at the term performance art.
[Washington, DC] feels like you're watching performance art. A lot of the time. I don't believe them, I don't believe what they say, I don't think they're being absolutely sincere. I think it's performance art. And most of them are bad actors.
All good performance pieces have some philosophical validity. That's the difference between mere theater and performance art.
He puts on a great show every time he fights, so I enjoy seeing Mark Hunt fighting, and I'm glad he's still fighting; he's 44 and still fighting in a high performance, so it's good to see someone like this always putting on a great show and giving us, MMA fans, these great fights.
I mean, maybe I'm alternative in that my stuff's not mainstream, doesn't want to be mainstream, could never be mainstream.
I'm interested in confronting police brutality and police abuse of cracking down on street performers and street artists, but also in valorizing street art as legitimate performance within the artistic sphere, where it's so often conflated with pan-handling and begging and not "successful" art. I want to change laws around street performance.
I mean, when we did 'Families At War,' on Saturday night prime time, people said we were mainstream then. But it wasn't in the least mainstream. The fact that we got that on BBC1 at that time with those ridiculous things, that's as mainstream as we get. We do what we do and people can think that it's mainstream or avant-garde.
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