A Quote by Marina Abramovic
After my performance 'The Artist is Present (2010)' at MoMA in New York, many scientists became interested in why so many people who sat across from me began to cry. I was incredibly moved by this experience also, and was very curious to know what happens in our brains when we spend time not talking, just looking at one another.
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Christianity began in Palestine as an experience, it moved to Greece and became a philosophy, it moved to Italy and became an institution, it moved to Europe and became a culture, and it moved to America and became a business! We've left the experience long behind.
I'm a little hibernating animal. Anonymity is one of my favorite things. I mean, that's why I moved to New York when I was like 18, because there, there are just so many people that there's no one and you're just lost. You're completely invisible and I find that very liberating.
I fell in love with New York. It was like every human being, like any relationship. When I was a young New Yorker, it was one city. When I was a grown man, it was another city. I worked with many dance organizations and many wonderful people. In the '90s, it became kind of a hard and unwelcoming city in many ways. It became conservative, like the whole country.
I began working within the streets of Harlem, where, after graduating from Yale [University, New Haven, CT], I became the artist in residence at the Studio Museum in Harlem [New York, NY]. I wanted to know what that was about. I would actually pull people from off of the streets and ask them to come to my studio.
Why? Why did you do this to me?" "He's going to come after me. He won't just kill me. He'll go after you, too." "That's right, He can't take the chance. I didn't tell you about it...why?" He repeated on a sob? "Why did you-" You wouldn't take me to New York" His mouth dropped open "NEW YORK?" he shouted. "You did all this because I wouldn't take, you to New York!
When I came to New York, I began to meet the people who became the most famous artists of our time. I was insecure about my own level of ability, I didn't know whether I could compete with these people and, at the same time. I was wondering what is this anyway?
The New York Times published a full-page hit piece with another claim from an individual who has been totally discredited based on the many many emails and letters she has sent to our office over the years looking for work. The New York Times refused to use the evidence that we presented. If they used it, if they would have looked, they would have said, there's no story here.
It seems to me that you are better off, as a writer and as an American, in a small town than you'd be in New York. I thoroughly detest New York, though I have to go there very often.... Have you ever noticed that no American writer of any consequence lives in Manhattan? Dreiser tried it (after many years in the Bronx), but finally moved to California.
When I was a junior in college I moved to New York and went to this performance school the Experimental Theatre Wing. We had singing class and again, some of the other students would cry when I was singing, and I really didn't know why. I started to realize that there was something in the tone of my voice that was evocative for them.
As a culture, we believe that if we kill something, we've killed the issue. That's why so many books end with death, why so many plays end with death, because it's full resolution. I'm always curious to know what happens after Romeo and Juliet die. In a way, that's the beginning of the story. Maybe beyond the story is even better.
I just moved [Bloomington] because I didn't do well with New York. It made me kind of anxious and it was just incredibly expensive. It just has this very small-town feel.
When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music.
I'm very curious about David Bowie's new record [2016]. I'm very, very... I'm just incredibly curious, I want to see what's happening with that. I don't really know who else is putting out records, we've had our heads buried working on ours. I haven't really been paying much attention lately.
There are so many things I want to do. Like, I want to get an artist, a musician, a photographer, and a bunch of dancers that I know and just travel across Africa and just film it and just see what happens. Do and learn as much as I possibly can. Luckily, I have a lot more time.
I don't spend a lot of time here in New York. I didn't realize there were so many Bruins fans in New York.
All My Children,' to me, was like a family... When I moved to New York I didn't know anyone, so these people became, like, my only friends and family for a long time 'cause we're working all the time.
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