I feel like artists that are always quite sad in real life always make really happy music, and artists who are really bouncy and bubbly always make really sad music.
Mentorship is really important. I really like to talk to people who have been in the music industry much longer than me about artists' block, things I'm struggling with, or the music business. It's really important for artists to have a community. Sometimes you can feel quite isolated.
The music of ABBA is not that happy. It might sound happy, in some strange way, but deep within, it's not happy music. It has that Nordic melancholic feeling to it. What fools you is the girls' voices. You know, I do think that is one of the secrets about ABBA. Even when we were really quite sad, we always sounded jubilant.
I've had an amazing life, but I think I was born with a little bit of sadness in me. I've always been attracted to those things, whether it's sad movies, sad music... when you're sad, you feel everything in a greater way than you do when you're happy.
I love life... Well yeah, and I'm sad, but at the same time I'm really happy that something could make me feel that sad. It's like, it makes me feel alive, you know? It makes me feel human. And the only way I could feel this sad now is if I felt somethin' really good before. So I have to take the bad with the good, so I guess what I'm feelin' is like a, beautiful sadness.
I guess that's always the mystery of music. It's like why does this song make me feel so grey or why does it make me feel sad or happy or nostalgic and so I'm most fascinated by breaking that down in my music.
He had never felt anything like that before - yet somehow he knew that from now on he would always feel like that, always, and something caught at his throat as he realized what a strange sad adventure life might get to be, strange and sad and still much more beautiful and amazing than he could ever have imagined because it was so really, strangely sad.
I try to make music that's really real. I've always liked music that makes me feel something. I'm not a brain first, music second person.
When you feel happy, really happy, it somehow seems that you've always been happy and that you'll always be happy. The same is often true when you feel sad, or lonely, or depressed, or broke, or sick, or scared. Something, perhaps, to remember.
I've always associated consciousness with artists like Bob Marley or Joni Mitchell or Bob Dylan. You know, artists that really talked about what was going on in the world and really artists that are timeless.
Everyone was saved once by music. So I decided to REALLY work on my songs and not just "play" - to make something really good, more "professional." Something which makes you feel better; a song who says: "I know how much you're sad, and you're not alone, this is a song made for you." I really wanted to help with my music.
I love music and musicians. And seeing great artists dropped from labels was really frustrating and sad to me.
I love music and musicians. And seeing great artists dropped from labels was really frustrating and sad to me
When I write lyrics, it's only when I'm angry or hurt or sad. So lyrically it's never really easy going. And the music is always really intense.
For me, I don't really feel like I have any particular main influences or artists that I pull from; it's more of an underlying effect of such a big range of music that I love and I identify with - and all of that plays into what I do in minimal ways. I just really try to make music that reflects my identify, which is hard to pin down and is a lot of different things. I strive to make music that is hard to describe and meshes a lot of different genres, with the vocals being the thing that ties it all together.
Country fans need to support country music by buying albums and concert tickets for traditional artists or the music will just fade away. And that would be really sad.
I always considered trying to make a living playing music. But it was always really clear to me, at the various stages in my life, that it really wasn't a possibility unless some phenomenal thing happened.