A Quote by Marina and the Diamonds

I'm not going to lie; I'm not a huge remix person. — © Marina and the Diamonds
I'm not going to lie; I'm not a huge remix person.
Little white lies are part of everyday life. If you're in court being charged with a felony, you're probably going to be tempted to lie. Or if your girlfriend asks you if the sweater she is wearing makes her look fat; you're going to lie because you love that person. There are different reasons and justifications to lie; it's human nature.
Little white lies are part of everyday life. If youre in court being charged with a felony, youre probably going to be tempted to lie. Or if your girlfriend asks you if the sweater she is wearing makes her look fat; youre going to lie because you love that person. There are different reasons and justifications to lie; its human nature.
In one of my songs, in the song on the "Why?" remix that I did with Jadakiss in 2004, I said, "Why is Bush actin' like they tryin' to get Osama? Why don't we impeach him and elect Obama?" This is in 2004 on the "Why?" remix and I said that because I really had belief that Obama was the right person to be president
We, as a band, are going to try to do a remix pack for some of our latest songs and do as much as we can. Every single that we release gets that. That's the thing that we enjoy. You meet a lot of talented producers and DJs, you revisit friends and ask them if they want to do a remix, that's one of the beauties in it right now: hearing different versions of our versions and just being able to put those out, as well.
A huge number of Americans still believe that Saddam Hussein was responsible for 9/11. You have a people that don't know anything about the rest of the world, and you have leaders who lie to them, lie to them, and lie to them.
There's always a price you pay when you lie. Once you introduce a lie into a relationship, even for the best of intentions, it is always there. Whenever you’re with that person again, that lie is in the room too. It sits on your shoulder. Good lie or bad lie, it's in the room with you forever now. It's your constant companion.
Remixes come very quickly, because you already have the melody and the vocals. I have a great passion for music, so it doesn't matter to me if it's a remix or an original production. I don't think about it as, 'Well, I have to spend three hours on a remix or I have to do something all original.'
The difference between doing a remix and an original track is that when you do a remix, you obviously already have the original track as a starting point. But with the originals you start from scratch.
My opinion is that music is music. As long as you approach doing a remix with truth, I don't see the dance remixes being any different than an hip-hop remix- it's really a different version of the song.
'Despacito' is phenomenal; you can't really chase that type of success. I'm a huge fan of the record, the original, and then when the remix came out, I said, 'Oh my God, it just got greater!'
Let me get this stright, Aya-Chan. You want me, a person who can't lie, to lie about the fact that I can't lie?" -Frizz mizuno
Glorify a lie, legalize a lie, arm and equip a lie, consecrate a lie with solemn forms and awful penalties, and after all it is nothing but a lie. It rots a land and corrupts a people like any other lie, and by and by the white light of God's truth shines clear through it, and shows it to be a lie.
My whole thing, to keep myself interested - and, you know, I'm a huge hip-hop head - I have tons and tons of a cappellas. So I do these live remix mash-ups with my tracks and just throw them in there.
Puffy's contribution to hip-hop culture was the remix. He offered us the music that his mom played in front of him, with newer drums and younger artists. That worked, and will consistently be there. The remix comes right after the original record, that's something Puffy did to influence the culture.
Sometimes I start doing the remix and I just can't find anything good, so I just decline after trying. And I never give a remix if I don't like it. That makes some people angry, but I'm not a production house making remixes, and I try to do them in an artistic way, not trying to repeat myself.
At 15 the change from a town of 2,000 to a city of four million was huge. There were good moments and, I'm not going to lie, bad moments.
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