A Quote by Marina Tsvetaeva
Meanings are translatable. Words are untranslatable… More briefly – a word is translatable, its sound is not.
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Nothing in a language is less translatable than its modes of understatement.
Indigenous people have discovered that Christianity is not inherently Western but universal - 'translatable' into any cultural idiom.
I do not hesitate to read. all good books in translations. What is really best in any book is translatable-any real insight or broad human sentiment.
My experience over the years with working with people who are not actors or not trained actors is that you have to get to know them well enough to see what they have that's translatable onto the screen.
. . . hummings and clickings could be heard-the sounds attendant to the flow of electrons, now augmenting one maze of electromagnetic crises to a condition that was translatable from electrical qualities and quantities to a high grade of truth.
Laissez Faire, laissez passer. Let it be, let it pass. The phrase is not readily translatable. It was widely used by the Physiocrats in urging freedom from government interference and was adopted by Adam Smith.
Titles are relatively arbitrary to me; they take on meanings that aren't really my meanings. 'Sound Of Silver' was just, like, I made the studio silver, and I wanted the record to sound 'more silver.'
Action not backed by knowledge and knowledge not translatable into action, both can not stand the test of time.
What are the precise characteristics of an epigram it is not easy to define. It differs from a joke, in the fact that the wit of the latter dies in the words, and cannot therefore be conveyed in another language; while an epigram is a wit of ideas, and hence, is translatable. Like aphorisms, songs and sonnets, it is occupied with some single point, small and manageable; but whilst a song conveys a sentiment, a sonnet a poetical, and an aphorism a moral reflection, an epigram expresses a contrast.
I am a dreamer of words, of written words. I think I am reading; a word stops me. I leave the page. The syllables of the word begin to move around. Stressed accents begin to invert. The word abandons its meaning like an overload which is too heavy and prevents dreaming. Then words take on other meanings as if they had the right to be young. And the words wander away, looking in the nooks and crannies of vocabulary for new company, bad company.
The statement that although the past can be recorded, the future cannot, is translatable into the statistical statement: Isolated states of order are always postinteraction states, never preinteraction states.
He should have known better because, early in his learnings under his brother Mahmoud, he had discovered that long human words (the longer the better) were easy, unmistakable, and rarely changed their meanings, but short words were slippery, unpredictable changing their meanings without any pattern. Or so he seemed to grok. Short human words were never like a short Martian word - such as grok which forever meant exactly the same thing. Short human words were like trying to lift water with a knife. And this had been a very short word.
In the speech sound wave, one word runs into the next seamlessly; there are no little silences between spoken words the way there are white spaces between written words. We simply hallucinate word boundaries when we reach the end of a stretch of sound that matches some entry in our mental dictionary.
Kids use words in ways that release hidden meanings, revel the history buried in sounds. They haven't forgotten that words can be more than signs, that words have magic, the power to be things, to point to themselves and materialize. With their back-formations, archaisms, their tendency to play the music in words--rhythm, rhyme, alliteration, repetition--children peel the skin from language. Words become incantatory. Open Sesame. Abracadabra. Perhaps a child will remember the word and will bring the walls tumbling down.
My experience over the years with working with people who are not actors or not trained actors is that you have to get to know them well enough to see what they have that's translatable onto the screen. So you're constantly calibrating to play to their strengths. And the key is to never ask them to do things that are beyond their abilities or are really far away from who they are at their core.
The full meaning of a language is never translatable into another. We may speak several languages but one of them always remains the one in which we live. In order completely to assimilate a language it would be necessary to make the world which it expresses one's own and one never does belong to two worlds at once.
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