A Quote by Marina Warner
I see the carpet reflecting that narratological structure of the storytelling, with Scheherazade as the outside frame story on the outside, with the stories woven on the inside. It's also demonstrative of the infinity of it, with no beginning and no end. The carpet is also a kind of metonym for cinema, this idea that the flat surface carries a terrific depth of imaginative field while remaining totally flat.
Related Quotes
One of the metaphors of the book is the carpet. Not just the flying carpet, but the carpet as a woven surface in which many repetitions and motifs recur and mirror one another. This is very much reflected within the stories: they have borders within borders, repeated motifs which change. They have their feet in oral conventions, and for the mnemonics, the storyteller needs to have a structure in order to remember the stories.
Having a background in doing printmaking and letterpress, I think that I became very interested in images that were flat and graphic. And my painting still today is very flat...American craft is like that too - the painting is very flat. And also the painting that you see on the storefronts, handmade signs, tend to be very flat. That's probably my biggest influence.
On the red carpet, I saw all these great stories, and I also got to see the plastic surgery up close.
You can dribble on carpet. I grew up in Queens, and we had carpet in our living room. And actually, even in some of these gymnasiums where we're playing the game, we're on carpet. If you're 12 or 13 years old, you've dribbled on the carpet in your mom's house.
Humanity's legacy of stories and storytelling is the most precious we have. All wisdom is in our stories and songs. A story is how we construct our experiences. At the very simplest, it can be: 'He/she was born, lived, died.' Probably that is the template of our stories - a beginning, middle, and end. This structure is in our minds.
My synesthesia is mostly gone - it was a much bigger factor when I was a kid. But having no depth perception is a bonus when you're trying to lay out flat images and describe them to an artist - flat is all I see.
From the outside, there's a lot of glitz. They see you on the red carpet, but they don't see what it takes to get there.
Growing up in the suburbs, the worst part was definitely being black. The best part was maybe also being black. Just having that perspective, being on the outside while also being on the inside. That's kind of how I've felt my whole life.
When listening to the sound material, we metamorphose the inside into an outside. This notion of metamorphosis is one of the principles that leads the course of the musical suite, reflecting changes (fluidsolid passages: water/ice/fire) or movements (ebb/flow/wave, inspiration/expiration) or inside-outside passages (door/individual/crowd). Thus, the perceived object is not entirely what we would have liked it to be. Our music brings us closer to some while it takes us away from others: each with their own inside.
When people come and tell me I was terrific in this or that, I do not want to fall flat on my face next time. But, tough, I have fallen flat before. You just get up and dust yourself off.
The car shot forward straight into the circle of light, and suddenly Arthur had a fairly clear idea of what infinity looked like. It wasn’t infinity in fact. Infinity itself looks flat and uninteresting. Looking up into the night sky is looking into infinity—distance is incomprehensible and therefore meaningless. The chamber into which the aircar emerged was anything but infinite, it was just very very very big, so big that it gave the impression of infinity far better than infinity itself.
We say justly that the weak person is flat, for, like all flat substances, he does not stand in the direction of his strength, that is, on his edge, but affords a convenient surface to put upon. He slides all the way through life.... But the brave man is a perfect sphere, which cannot fall on its flat side and is equally strong every way.
I live my life outside of the glitz and glamour of the red carpet events, and so you'll never see me there. I'm never at parties.
I live my life outside of the glitz and glamour of the red carpet events, and so you’ll never see me there. I’m never at parties.
I want to tell the story. Mostly, when you see rock movies, it has to be this over-the-top thing. I want to give people a Bret Michaels movie where they see that my life is a comedy of errors. I also want to show my fans how to get through the kind of troubles that would leave most people flat on the floor.
When people come to me and tell me I was terrific in this or that, I do not want to fall flat on my face the next time. But, tough, I have fallen flat before. You just get up and dust yourself off.
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