A Quote by Mario Andretti

Staging Formula One is incredibly expensive. — © Mario Andretti
Staging Formula One is incredibly expensive.
I do not put my tastes as incredibly expensive, but they are incredibly expensive for an average man.
We love Formula One and think Formula One's great. But we think Formula E is different. We would be making a big mistake if we tried to compete with Formula One and be similar to Formula One, we have to be radically different to Formula One to have a chance of survival. I don't mean survival by beating Formula One but co-existing complimentary to Formula One.
Look, if somebody said tomorrow, "We're making a Lethal Weapon formula movie, but it's incredibly well-written and for two women," I'm not going to say, "Oh, forget it, it's formula." I got an idea the other day, that somebody should write a typical formula movie, a Lethal Weapon, and make it with me and my dad. It could be all father-and-daughter capers. But I'd want someone really weird to direct it.
You've got to remember that improvisers are writers and actors and directors all simultaneously. That's what's happening in real time because you're writing on your feet, and you are acting out the words and you are directing what the staging is. You're deciding what staging is.
It's a sci-fi show on network television, and everybody knows that it's an amazing feat that we've been on for so many years. The fans, the press and everyone has been so incredibly kind and so incredibly supportive that we feel like it's a success, in any way, shape or form. It's an expensive canvas.
I think a lot of brands reach a point where they say, 'We kind of have a formula - we've got it made.' Our formula is there's no formula.
To make it in Formula 1, which is the absolute pinnacle, is incredibly tough no matter what your gender.
From a prestige standpoint, the U.S. needs to host Formula 1. And I think Formula 1, they know they need the U.S. as well. So many companies that are global are based in the United States support Formula 1.
I know that a lot of people like to say "formula." I think that as soon as you start to have a formula imputed to your work, you're in danger of becoming formulaic. So the one formula I have as a rule is falling in love with the material.
There are plenty of myths out there that are either really expensive to do or incredibly difficult or complicated to execute.
If you had to buy a new plane every time you flew somewhere, it would be incredibly expensive.
As American taxpayers know too well, the tax code is incredibly complex and compliance is all to expensive.
Culturally, I think we have operated as if we had the formula figured out, and it was all about optimizing, in its various constituent parts, the formula. Now it is about discovering the new formula.
I don't miss London much. I find it crowded, vast and difficult to get around. Cabs are incredibly expensive.
For a long time it puzzled me how something so expensive, so leading edge, could be so useless. And then it occurred to me that a computer is a stupid machine with the ability to do incredibly smart things, while computer programmers are smart people with the ability to do incredibly stupid things. They are, in short, a perfect match.
Summer blockbusters are very expensive to make. They have things that have to be expensive, such as 600 effects shots or CG characters that have to go a certain way, or a film design that is different but expensive.
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