A Quote by Mario Andretti

Tom Carnegie will never be replaced. — © Mario Andretti
Tom Carnegie will never be replaced.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
We played Carnegie Hall, and that was one time where I felt... Carnegie Hall as a legendary, very venerable place to perform. I'd never heard of anyone going into the Hall and kind of standing on the seats and playing throughout the aisles and having the audience stand on the seats. So when we did that in 2013, even for me it was a shock.
Tom gets by, Navidson succeeds. Tom just wants to be, Navidson must become. And yet despite such obvious differences, anyone who looks past Tom's wide grin and considers his eyes will find surprisingly deep pools of sorrow. Which is how we know they are brothers, because like Tom, Navidson's eyes share the same water.
Video is originally a de-corporation, a disqualification of the sensorial organs which are replaced by machines. The eye and the hand are replaced by the data glove, the body is replaced by a data suit, sex is replaced by cybersex. All the qualities of the body are transferred to the machine.
I replaced Jim Garner in 'Maverick.' I replaced George Sanders in 'The Saint.' I've replaced everybody.
I learn from Kevin Spacey and Tom Hardy, watching these guys work, the things they all do differently. Tom never stops exploring and discovering, take after take. His mind never turns off.
Any pianist and singer/songwriter would say "Carnegie Hall." It's such a legendary place. I'd love to play at Carnegie Hall. That's definitely dream of mine.
I remember Tom Stoppard saying to me when I came out, 'I feel so sorry for you, because you'll never have children.' These days I would say, 'Well, why not, Tom?'
As long as tides of war are in our favor, the United States will never stop fighting. As a consequence, the war will continue for several years, during which materiel will be exhausted, vessels and arms will be damaged, and they can be replaced only with great difficulties.
The religious instinct will never be replaced by law or even philanthropy.
Tom’s aunt Georgie spoke to me first, and Tom found me through her. At the time, I didn’t actually think Tom was a big enough character to carry a story. If it had to be anyone from Saving Francesca, I thought, it would be Will Trombal or Tara. But the line in Francesca, ‘I want to be the first male in the Mackee family to reach 40 and still have a liver’ stuck with me, and in the end, Tom has been one of the biggest surprises. I’m glad I didn’t kick him out of my head.
The guy I've never worked with that is pissing me off is Tom Hanks. I want to work with Tom Hanks more than anyone.
We will do whatever it takes to keep Tom Herman at the University of Houston. We're not going to lose Tom Herman because of money. If Tom Herman wants to go to LSU or Texas or Oregon or Baylor or wherever else, we cannot stop him from doing that. But it's not going to be because of money.
I got a call from Tom Hanks, who directed That Thing You Do!, when he was done cutting that film. I was like, "Oh, my god. Tom Hanks is calling me. This is amazing!" And then, of course, he was calling me to tell me that I was barely in the movie. But I'll never forget it - and this is why he's Tom Hanks, because he's got such a way with words.
I hope people will put aside Tom Ford the fashion designer and think about Tom Ford the filmmaker.
Carnegie was a life-long dream because I was a born New Yorker. I was born in upstate New York, and we've played Radio City, and we've played The Beacon, but Carnegie was this mystical place, you know?
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