A Quote by Mario Batali
The Chinese five-spice works really well in the quantity that I used. It makes it almost imperceptibly just a little bit sweeter without making it really sweet or really even that Asian flavored.
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I majored in Chinese. I was never really good at Chinese but I really, really benefited from having been exposed to Asian philosophy early in my life.
I used to walk down a street and nobody would notice me. Now, I get stopped all the time; people saying, 'well done'. It makes me really, really proud to have done my bit to help make cycling a little bit more popular.
So the mask was just really easy, I've got to be honest. And it was great actually because it really allowed you to get into the character a little bit more maybe than without it, if that makes sense.
I always think it's really hard if you are Asian or Chinese to be really in Hollywood. There are not so many really great characters for you.
If I am making a spice rub or a spice mix for a braise or even just to crust a piece of fish, I'll use mustard seeds. If you soak them in a little bit of vinegar and let them get plumped and soft and then you puree them, they're delicious.
Obviously, the good thing about golf, it's difficult to really, really blow it after five holes unless it goes really, really, really... really, really, really wrong. But you still have 13 to go, and if you have a good run, where you make five or six birdies, you can get it back somehow.
I find I'm most challenged by things I really care about, because I really want to do them well. It causes quite a bit of anxiety. But that very thing you're afraid of is kind of like a blessing in disguise. If you didn't have that fear, you wouldn't have the other side - courage and bravery, positive emotions.As an actor, you get used to those fears, and you're almost happy when they show up. It makes you learn your lines and prepare.
I learned a great lesson early on, even before I was really an actor, from that movie 'Planes, Trains & Automobiles' that John Hughes made: that you could make a movie that's really, really, really, really funny, and sometimes you can still achieve... making the audience feel very deep emotions as well.
I take photos, I used to make films, I journal incessantly, and I really value the documentation of life. Because it's almost like you are making something special by wanting to make it exist in an object - on paper or even just in the computer - making these recordings, making this music.
I really love to drive. It’s really hard for me to be a passenger, even though I get to look around a little bit more, but I’ve gotten really good at driving and looking.
I really love to drive. It's really hard for me to be a passenger, even though I get to look around a little bit more, but I've gotten really good at driving and looking.
I think it went really well. There was part of me that really wanted to go with the rabbit. But, honestly one thing that I struggle with a lot is really just competing...being in a pack, running with a lot of bodies. I'm 17 and I'm still not really used to it, so the goal today was to just race.
I love the paddle board. It's just a really good way to recenter. Being on the water is really peaceful, and you have to focus on your balance and holding yourself up. Doing a little bit of yoga under the sun on the water is really, really magical.
I guess it's a little bit sentimental, but at the time I was really very focused in on really my performance. Afterward, it was really just a breath of fresh air, just like, 'Oh, yes, I'm back now. I'm doing good.'
I do craft songs, that this is designed. It's almost like the song was written to produce this desired effect. And it probably really works for somebody. It's maybe somebody's favorite tune, and it's really hard to come down on that, even if I feel a little embarrassed for it. Because some songs are written like a commercial, and that can be a little strange.
I'm no ethnomusicologist. There is a connection between the five-note scale used both in traditional Chinese music and the blues, but I don't really understand it. All I know is, whenever I play with Chinese musicians, we seem to belong to the same musical gene pool.
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