A Quote by Mario Cantone

Look, you're either loved or hated. Which is a good thing, as Bette Davis used to say. — © Mario Cantone
Look, you're either loved or hated. Which is a good thing, as Bette Davis used to say.
I loved working with Bette Davis. Bette Davis was great to work with and a wonderful teacher, and very kind to me. We became good friends.
Bette Davis was a close friend. She loved to have a good time.
I always loved the bad girls in the movies. I loved Bette Davis; I loved Katherine Hepburn. I loved Ava Gardner.
When I first watched Bette Davis in 'All About Eve', I was struck by how much I felt that she is Margo Channing and that she's Bette Davis, where she was able to do both, where you're like, 'What an icon.'
When asked what it takes to succeed in the acting profession, Bette Davis would answer, "The courage to be hated."
Bette [Davis] and I are good friends. There's nothing I wouldn't say to her face - both of them.
I loved Bette Davis when I was little and when I was big and when I got old.
I only wrote two fan letters in my life. One was to Bette Davis. And one was to Ron Palillo, who played Horshack on 'Welcome Back, Kotter.' And Ron did not write me back, but Bette Davis did.
All I really want to do is just keep acting, and some of it will stink, and some of it will be really good, and maybe when I'm 85 and presenting an Oscar like Bette Davis did, I can look back and say, 'It was okay, I did all right.'
I don't think I have the image that say, Judy Garland has, or Bette Davis.
I feel like people either love me or hate me, which is good, because that was the point of what I do. The point of M.I.A. is to be - it's either to be loved or hated. At least you evoke that much of a strong opinion about music.
I just loved Bette Davis and the fact that I had a chance to work with her [on the 1979 TV movie Strangers: The Story of a Mother and Daughter] was momentous.
When I was a kid, it was Bette Davis. She was my idol. I used to cut school and sit in the back of the theater; of course, I would have snuck in because I couldn't afford a ticket.
I loved all those classic figures from the '30s and '40s... Bette Davis, Joan Crawford, Humphrey Bogart, Rita Hayworth. They had such glamour and style. I loved the movies of those times too - so much attention paid to details, lights, clothing, the way the studios would develop talent.
Oh, yes, we were on location with Another Man's Poison, which I wrote for Bette Davis.
There's like this great thing that Bette Davis said when someone asked her, "How do you get into Hollywood?" "Take Fountain!"
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