A Quote by Mario Gomez

If for half a year you only get 10 minutes to play from the bench, then you have no rhythm. — © Mario Gomez
If for half a year you only get 10 minutes to play from the bench, then you have no rhythm.
Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
I loved my time on 'The Mindy Project' so much. It was only supposed to be half a year. It was really only supposed to be one episode, and then it became three episodes, and then it became half a year, and then it became a year and a half, and then it became two years.
I don't set out to write a play a year. Sometimes I've written two plays a year. There was a period of a year and half when I only wrote half a play. If it depresses some critics that I seem prolific, well, that's their problem as much as mine.
If I come on for 10 minutes and play well, I can't go home and tell everyone, 'I played a great 10 minutes.' I have to play the full 90.
There are guys on different teams across the league who are bench guys, and guys who that - that's their role, to be on the bench encouraging guys to play hard and get good minutes.
As a player, remember that the bench is not a prison, but an extension of the first group. Concentrate on the quality of your play when you do get into the game. If you play 20 minutes, play the best 20 you can possibly play.
You get to the rink, stretch for 10-15 minutes, go on the ice 20 minutes before practice starts and do goalie drills, practice for an hour, then stay on the ice for about 10-15 minutes to do extra shooting.
'Cause a musician, you can't tell me, "I've got this message I want share with the public," and it's three-and-a-half minutes long. That's not it. If your message is only three-and-a-half minutes long, then we got nothing else to talk about. Because life is more complex than three-and-a-half minutes.
I take 10 minutes. I focus on what I'm most grateful for. Then I do a little prayer for three minutes, a blessing within myself through God, and then out to my family and friends and all those I serve. Then my last three minutes are the three things I want to achieve most. At the end of 10 minutes, you are wired. Everything in your life gets filtered through that.
That's what happens with most comedies. If you watch 10 minutes and there's no joke, then you're disappointed because you're expecting jokes. The same goes for emotional movies. You have to feel something. If you don't feel anything for 10 minutes, you get bored.
A fashion show is like a 10-minute play, but there's all this anticipation; Everyone arriving, finding their seats, then there's 10 minutes of people walking past and clothes and music, then the whole thing is finished.
I feel as long as I'm playing productive minutes, I'll play. But if I'm sitting on the bench and not doing anything, then I'll retire.
I wrote 'Always Love' in 10 minutes. It's a very positive song, more positive than I am in reality, but I was feeling good for three and a half minutes. And every time we play a show I think, 'Well I should probably be that positive,' but I'm not.
[If you could have 10 minutes in a room with Barry Bonds] ... I'd ask him for another half hour. And then I'd probably start with the obvious and see how honest he would get. I just think those guys are so protected, that you're not going to get much out of them.
I'm not good at sports, but I do exercise because we have to move. Besides walking my dog four times a day, I go to the gym and do 30 minutes on a stationary bike while reading a book because I get bored, then 10 minutes of weights and 10 of stretches.
Whether it's 90 minutes, or a half, 10 minutes or whatever, I want to show what I can do.
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