A Quote by Mario Gotze

I left home at 21 to go and play for Munich and was immediately able to perform at a high standard. It was totally surreal, and I had no idea where it might lead. — © Mario Gotze
I left home at 21 to go and play for Munich and was immediately able to perform at a high standard. It was totally surreal, and I had no idea where it might lead.
I know when I left the game, I could have played more. There is no question. I think I could have played at a very high level, too. But I could not play the way everyone wanted me to play. And I was not willing to compromise what I felt was a standard that I had established in this league and, particularly, for our fans at home.
I think you can totally be a totally normal kid from the suburbs of Chicago and go off and play shows. It's one of those things that when you go home, you're still the nerd you were when you left, and your parents still get to yell at you about cleaning up your room, and your girlfriend still drags you to the pet store.
My worst fear is to not able to understand what my director wants me to do. I might not be able to reciprocate to his idea or vision. I may not be able to perform before the camera. Those are my worst fears.
When I was on 'EastEnders,' I still had a paper route until I was 21 and left home.
I have a good supporting staff around me and good teammates encouraging me every single day to perform on the field and to perform in training and I set high standards for myself as well knowing that Bayern Munich is one of the best teams in the world.
I left home to go to college, and then I moved back home. I moved back for three years from 21 to 24.
I like to go home early, that's my thing. My idea of a pub crawl lasts from midday until 5 P.M., then I can go home, play with my kid, have tea and go to bed.
I'm totally sick of hotels. I'm totally sick of room service. I'm totally sick of how can I help you ma'am? I just want to go home and wash some dishes, play with my cat, watch some TV.
I had no idea of who could play it, no notion really. Then Richard came to see us but I don't think it was decided at that meeting. The trouble is, as soon as you've chosen somebody it obscures anybody else you might have thought of. It's like going to a place that you've never been to before - you've got a picture of it and then you go there and that picture is totally wiped out by the reality.
I first told the idea to an editor I had met who, after reading one of my novels for adults that was set in a high school, had an idea that I might write something for children.
Greece, alone, is in a very vulnerable position. If the Greeks had had support from progressive left and popular forces elsewhere in Europe they might have been able to resist the demands of the Troika, but they had almost no support. Not even from Portugal, Spain, or other left forces. They were left alone.
I had accidentally gotten a laugh on a line in a play I was in during high school. I got hooked, but I had no idea I would ever be able to support myself by acting. I knew no one in the business. I was from the Midwest. No one within a radius of a thousand miles was doing anything like that.
You know, my parents had a restaurant. And I left home, actually, in 1949, when I was 13 years old, to go into apprenticeship. And actually when I left home, home was a restaurant - like I said, my mother was a chef. So I can't remember any time in my life, from age 5, 6, that I wasn't in a kitchen.
It's the only way you're able to play as long as I have, is to go out there and perform.
When we first started playing in the early days, none of us really had any idea about writing our own songs yet. We were struggling how to learn our instruments and play songs to be able to perform for people.
Every player who plays at Bayern Munich knows that Bayern Munich is a particularly special club. Whenever we lose, then it is lashed onto almost immediately by the media, regardless whether it is a friendly or losing the away game in a Champions League tie 1-0.
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