A Quote by Mario Monti

I know that speaking with parties, which I do, but not very often, is seen by many as a 'contamination.' — © Mario Monti
I know that speaking with parties, which I do, but not very often, is seen by many as a 'contamination.'
I know that speaking with parties, which I do, but not very often, is seen by many as a contamination.
We live in a modern world, and in contemporary music the central fact is contamination. Not the contamination of disease but the contamination of musical styles. If you find this in me, that is good.
We seldom repent of speaking little, very often of speaking too much: a vulgar and trite maxim, which all the world knows and, but which all the world does not practice
"When I speak of love I am not speaking of some sentimental and weak response. I am not speaking of that force which is just emotional bosh. I am speaking of that force which all of the great religions have seen as the supreme unifying principle of life. Love is somehow the key that unlocks the door which leads to ultimate reality."
I am not someone who likes cocktail parties or large dinner parties, but I have to attend them often. I much prefer very small dinners with close friends.
As so often, the ordinary rank and file of the electorate have seen a truth, an important fact, which has escaped so many more clever people - the underlying value of that which is traditional, of that which is prescriptive.
Cultural contamination that is directed outward is always seen as ‘enlightenment.'
As an environmental engineer I spent many years cleaning up PCB contamination, and I know firsthand the costs these efforts can place on individuals and communities.
Seen from a lower point of view, the Constitution, with all its faults, is very good; the law and the courts are very respectable;even this State and this American government are, in many respects, very admirable, and rare things, to be thankful for, such as a great many have described them; but seen from a point of view a little higher, they are what I have described them; seen from a higher still, and the highest, who shall say what they are, or that they are worth looking at or thinking of at all?
Europe and the euro zone have no reason, rationally, to push Greece out of the euro. But this is a system in which many parties, many countries, many governments, many electorates participate and we could have events which, rationally, are not controllable.
In a society where some people are far more educated than others, in which public education is ill-funded - here I am speaking of the U.S. - while we build more and more prisons to incarcerate youth who ought to be in school, there is already a gap between those with education and those without. Those with educational privilege can be seen as arrogant, remote, alien - and very often they believe themselves superior.
Period films to me are very often alienating to the audience. There's very often a formality. A staunchy quality to them that comes from the misenscene. It also comes from the performances of the actors, because they're acting Victorian which really means that they're just acting the way they've seen previous actors act Victorian.
I've been asked to do small parts in films, but you know, what I've learned in the 12 Steps of Recovery is that for me, being a public person, is not a very healthy thing. There's too many drugs, too many jets, too many girls, too many parties. It's just not my lifestyle. I'm 58 years old. A good round of golf is about as exciting as my life gets.
Not too many people in cocktail parties are aware of Bioprinting and growing organs, or the coming technological singularity; I've seen very little philosophical speculation about how far we can go, how much we could achieve.
But, look, Washington is a town that creates myths for its own existence and its own amusement, and I was a subject of myth, sort of like Grendel in Beowulf - you know, not seen very often but often talked about.
I have seen in many places housing which has been developed under government influences, but I have never seen any projects in which governments have played their part which have fountains and statues and grass and trees, which are as important to the concept of the home as the roof itself.
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