A Quote by Mario Sorrenti
I try not to let the material aspects of different cultures distract me from getting to the essence of the person I'm photographing. Whether it's a man or a woman. Wherever they're from, I try not to let social status or cultural background affect me or affect the person. I strip all those things away to get down to the essence of the human being, the person.
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Sometimes, you feel like, 'Am I going to be upset about this as a black person or as a woman first? Or am I gonna be both?' Because some things inherently affect black women; some things affect you as a woman and not a black person; and some things just affect you as a black person.
Human minds are limitless, like space. It may be foolish for a person to even try to deliberately affect another person's mind.
We have to distinguish between a man as he is in essence, and as he is in ego or personality. In essence, every person is perfect, fearless, and in a loving unity with the entire cosmos; there is no conflict within the person between head, heart, and stomach or between the person and others. Then something happens: the ego begins to develop, karma accumulates, there is a transition from objectivity to subjectivity; man falls from essence into personality.
Being in the public eye, there will always be negatives. Those dark aspects will always be there and, so too, those things that will try and tear you down, but I have made the choice not to engage with them. I'm not going to let them affect me or destroy me.
I think, for me, personally, I try to be sensitive to issues as I learn about them. And I also try to constantly become not only a certain type of person but also become more in tune to the issues I'm covering. As I get older, I think that things just affect me more.
I try my best, but at the same time, I try not to let being out with someone affect my everyday life. Like, if I want to go out and grab a smoothie with a friend who's a male, I'm not gonna let the paparazzi stop me from doing that and living my life and just being a normal person.
When we try to describe one person to another …, what do we say? Not usually how or what that person ate, rarely what he wore, only occasionally how he managed his job—no, what we tell is what he said and, if we are good mimics, how he said it. We apparently consider a person's spoken words the true essence of his being.
Journalists like to invent a person, and it's not necessarily the person that they're writing about. The image the tabloids try to create of me and Bob is very different from how we really are. They try to make us out to be mad jokers. But I wouldn't want to put journalists down. That's their job.
For me what was very important was to try to capture the essence that might have existed behind the myth, the human essence of the character.
I have to represent. I feel proud to have a culture that's different... and proud to be a Latina. We're not all categorized as one type of person... there's people from everywhere doing different things who have different types of cultures. Being Latina for me is also being a strong woman.
I have to represent. I feel proud to have a culture that's different and proud to be a Latina. We're not all categorized as one type of person there's people from everywhere doing different things who have different types of cultures. Being Latina for me is also being a strong woman.
If you are getting bullied online try not to let it affect you! I know it's hard but the more you act like you care, the more the person will keep bothering you.
The person is a mystery. What I'm playing is the person so I really get to tell you and show you and communicate to you who I think the real person is and that real person is me. The most important thing is to play the human being you are creating, which is my job.
You don't realize when you're younger that how I treat this person coming up to me will affect their view of me for the rest of their lives. You can lose several fans because that one person will tell all the rest of their people about it, or they could be like, 'Man, that dude was cool as hell.'
A character does seem to have a life of its own, but I have what I'd describe as a very fluid relationship with them - as I'm thinking of what they will be like, they shift in and out of focus - they are a projection of some idea inside of me, even if a character is inspired by an actual person, I'm well aware that it is not that person. My job is to identify the essence of the character, and to bring them to life long enough to commit the acts, say the words or simply "be" in a way that allows them to affect and be affected by other elements and events in the imaginary world of a story.
Even for those who do survive, tumours can affect the functions of the brain and therefore affect a person's personality, preventing many people from working, driving and otherwise leading a normal life.
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