A Quote by Mario Testino
At the beginning of my career, as a boy from Peru in London, suddenly discovering British culture and society, I looked so much at the work of the photographers Cecil Beaton and Norman Parkinson, which seemed to represent a wonderful vanished grandeur of my new country.
Related Quotes
We used to say that inside Cecil Beaton there was another Cecil Beaton sending out lots of little Cecils into the world. One did the sets, another did the costumes. A third took the photographs. Another put the sketches in an exhibition, then into magazines, then in a book.
I started looking at fashion magazines, specifically 'British Vogue.' I was reading a lot about Cecil Beaton. Then I thought maybe I should start collecting.
I admired the work of photographers like Beaton, Penn, and Avedon as much as I respected the grittier photographers such as Robert Frank. But in the same way that I had to find my own way of reportage, I had to find my own form of glamour.
Various different people have inspired me throughout my career. From Francis Bacon to Vassareli, Coco Chanel to Christian Dior, Cecil Beaton, musicians, architects... the list is endless.
My dad's family is part British and Austrian, and my mother's family is from Goa, which is in the south of India. I looked different from everyone else, which now is such a blessing. It was harder at the beginning of my career.
And I found out about the wonderful world of sign language. I suddenly realized: If we as a society recognize Jewish culture, gay culture and Latino culture, we must recognize that this is a coherent culture, too. I think deafness is a disability for social constructionist reasons.
The relation of eugenics to British psychiatry bears examination. The primary controlling body for psychiatry in England is the British National Association for Mental Health (NAMH), formed in 1944, and initially run by the mentally unstable Montagu Norman, previously of the Bank of England. The group originally met at Norman's London home, where he and Nazi Economics Minister Hjalmar Schacht had met in the 1930s to arrange financing for Hitler.
I was influenced by the political environment of our country that has just gained freedom from British colonialism. And the seminal figures in that environment were Mahatma Gandhi, who had been assassinated shortly after I was born, but nevertheless dominated the collective psyche of the country. And of course there were other statesmen who were very much part of the culture we knew as well as looked upon by society as leaders, and mentors, and people that inspires us to have a vision for idealism.
Dubai was brilliant, they looked around the world. They saw Hong Kong, Singapore, New York, Chicago, Sydney, London all ran British common law. British common law is much better for commerce than is French common law or sharia law. So they took 110 acres of Dubai soil, put British common law with a British judge in charge, and they went from an empty piece of soil to the 16th most powerful financial center in [the] world in eight years.
I do feel that I have to use my voice for those that don't have one. I have to do the best I can in my own work to represent my culture, represent the women of my country, of Latin America. What we stand for. What we're made of.
Many people worked with the inspiration to free the country by throwing the British out. After formal departure of the British this inspiration slackened. In fact there was no need to have this much inspiration. We should remember that in our pledge we have talked of the freedom of the country through defending religion and culture. There is no mention of departure of the British in that.
The education I received was a British education, in which British ideas, British culture, British institutions, were automatically assumed to be superior. There was no such thing as African culture.
I've always been a city person - London boy - and New York is just incredible. It has what London has but almost more in terms of variety, culture, social life, everything. I just like walking the streets and feeling the energy and the vibe.
Whereas moral courage is the righting of wrongs, creative courage, in contrast, is the discovering of new forms, new symbols, new patterns on which a new society can be built.
Photographers deal in things which are continually vanishing and when they have vanished there is no contrivance on earth which can make them come back again.
I was a very young girl and I got into fashion very much by accident, wanting to be independent. What was wonderful was that while I was learning and discovering - learning about the work, discovering myself as a woman - I was allowing other women to feel the same way.
Related Authors
Amanda de Cadenet Quotes
English
Photographer
Annie Leibovitz Quotes
American
Photographer
Ansel Adams Quotes
American
Photographer
David Bailey Quotes
English
Photographer
David LaChapelle Quotes
American
Photographer
Elliott Erwitt Quotes
French
Photographer
Garry Winogrand Quotes
American
Photographer
Henri Cartier-Bresson Quotes
French
Photographer
Jay Maisel Quotes
American
Photographer
Lynsey Addario Quotes
American
Photographer
Martin Parr Quotes
British
Photographer
Mary Ellen Mark Quotes
American
Photographer
Nan Goldin Quotes
American
Photographer
Robert Adams Quotes
American
Photographer
Sally Mann Quotes
American
Photographer
Sam Abell Quotes
American
Photographer