A Quote by Mario Testino
Many people when I started didn't believe I was a good fashion photographer, and probably they still think that.
Related Quotes
Well, I'm not going to get into that. I think that those kind of distinctions and lists of titles like "street photographer" are so stupid. I'm a photographer, a still photographer. That's it.
I started being a photographer because I liked fashion. I liked the idea of dressing up and changing my look. I got earrings, dyed my hair. I would dress like a fashion photo.
Sometimes when people talk about me in fashion, I feel - I don't want to say uncomfortable, but I still don't believe that I'm in 'fashion.'
In the late Fifties and early Sixties, I used to think that most of these fashion creators weren't that great, and if the photograph was good, it was mostly thanks to the photographer.
Botticelli would have made a very good fashion photographer. He did eight heads instead of seven heads in a body, which is fashion illustration.
A photographer is a witness. He has a moral duty. Every picture must be true and honest. I believe a photographer's strength is his ability to accurately record reality. There are photographers who think they are lucky if they find unusual or special subject. But it is never the subject that is so marvelous. It is how alive and real the photographer can make it.
When I first started modeling, I realised I was very different from many of my colleagues, but I welcomed the opportunities my career in fashion offered me and the support from many inspiring individuals in the fashion industry.
Sometimes I feel fashion is not open-minded enough. We need to push the old crowd to believe in what I believe, in the new generation. I remember when I started, my campaigns and and how I connected my love for music with fashion were a tiny bit controversial because they were like, 'How can you bring hip-hop or music into a luxury world?' or 'How you can be so connected to digital and use social media in luxury world?' Now it's changed, obviously, for the best, but I still think that we could push a bit more.
The reason I did fashion was it was the only way to get paid to do anything creative. You couldn't support yourself as an 'artist' - I hate that word. The only way you could be 'arty' was as a fashion photographer, because it still had a certain amount of integrity involved.
The New York world is definitely geared toward fashion. So many people work in the fashion industry, photography, all sorts of satellite businesses that have to do with it, so there's no way that it can't affect you, and it just kind of makes you think with more of a fashion edge.
Whether or not he came to believe it - so many people, when they have a mission, come to believe something in a way that may have started out as a slogan. You know, L. Ron Hubbard, not to make a random comparison, started Scientology as a scam.
In good novelistic fashion, the discovery I’ve made is that it’s complicated. I think that’s one of good things about exploring these questions in a non-polemic, fictional way: you get to feel out territory rather than take positions. Through writing this, I can understand the impulse to faith, how people make meaning, how people make community, without having to say, do this, don’t do that, or I believe, I don’t believe.
I still feel like I'm really into fashion. I even think sneakers are a fashion item as well. I'm still into sneakers and clothes. Even though I don't wear or buy those things, I find that I'm still like looking for them. I can't wear it, but I still think it's interesting when I see it.
I just don't believe in abortion, period. But I would never take away a woman's right to choose what's good for her body. But I still believe that when you do have an abortion, still inside, you go through a lot of stuff. It tears away at your spirit and your soul. So I don't think people think about that.
I'm in between an installation artist, video artist and photographer. And when you work with nude bodies, you're immediately called a pornographer or a fashion photographer.
Did you notice what happened when digital photography arrived? Suddenly there were four times as many people on set for a shoot! It used to be a photographer, a couple of photo assistants, stylist and a fashion assistant, hair and make-up and that was about it.
Related Authors
Amanda de Cadenet Quotes
English
Photographer
Annie Leibovitz Quotes
American
Photographer
Ansel Adams Quotes
American
Photographer
David Bailey Quotes
English
Photographer
David LaChapelle Quotes
American
Photographer
Elliott Erwitt Quotes
French
Photographer
Garry Winogrand Quotes
American
Photographer
Henri Cartier-Bresson Quotes
French
Photographer
Jay Maisel Quotes
American
Photographer
Lynsey Addario Quotes
American
Photographer
Martin Parr Quotes
British
Photographer
Mary Ellen Mark Quotes
American
Photographer
Nan Goldin Quotes
American
Photographer
Robert Adams Quotes
American
Photographer
Sally Mann Quotes
American
Photographer
Sam Abell Quotes
American
Photographer