A Quote by Mario Testino

I'm really in no one city more than two months during the year. I'm constantly having to readapt my eye to new locations. — © Mario Testino
I'm really in no one city more than two months during the year. I'm constantly having to readapt my eye to new locations.
When I got hit I went from having 37-year-old eyes to having 65-year-old eyes. That's why I've got the glasses on - so my eye isn't constantly trying to focus and giving me headaches. But they also help me see better: my right eye is blurry.
The childbearing year is a thirteen month year: the two months before conception, the nine months of pregnancy, and the two months following the birth. The childbearing is a time of adjustments and fierce emotions. The childbearing year touches every season.
I think there are only two things you should really expect Congress to do.One is to pass a short-term funding bill, because it's not in their political interest to shut down the government when the fiscal year comes into effect, the new fiscal year, on October 1. The second thing, I think, is Zika funding. This has been put off and off for months and months.
The negative about acting is that you have to spend a great deal of time away from your friends and loved ones, but it's not like working a 9-5 job and only having two or three weeks off a year. I may not have seen my girlfriend for two or three months, but then we can spend two or three months together solidly.
If your house has been on the market for more than four months, take it off the market and re-list it in two months as 'new.'
Two days in this city is worth two months in New York.
It's certainly not easy having to spend a lot of time apart, and having a five-year-old child who's got to be at school. So we need to learn how to organize our time really well because for months we will be in two different countries.
Teaching is enormously satisfying because I'm constantly learning more. Just constantly being exposed to new voices and new life experiences and new worldviews and new structural dilemmas and new characters - it's really exciting for me.
Each year, every city in the world that can should have a multiday festival. More people meeting each other, digging new types of music, new foods, new ideas. You want to stop having so many wars? This could be a step in the right direction.
I think the first year and a half that I was in New York I was having trouble just living somewhere. Back in them days the city was a lot different than it is now.
For the last several years and culminating in six months in orbit next year, I've been training for my third space flight. This one is almost in a category completely different than the previous two, specifically to live in on the space station for six months, to command a space ship and to fly a new rocket ship.
People who go out and do hits year after year after year, I think the fans deserve more than that. The audiences deserve more than just that. You need to give them something new, or things you really love to sing. And they love it.
The ad industry isn't struggling for a new set of principles or abandoning the ones that made it great from the start. It's simply in the midst of a business cycle. I don't think it's more profound than that. And despite the economic downturn, I'm having more fun today than at any other moment in my 30-year advertising career. The game is more interesting and more relevant than ever.
A solid family, as they say. They join me on location if they have a chance, but I can also be home three or four months doing nothing, so I probably see my kids more than people who work constantly all year long. If that changes, we'll have to have a family meeting.
I used to write a monthly column for the 'New York Times' syndicate. But I stopped because I found it really hard to have one extreme opinion a month. I don't know how these columnists have two or three ideas a week; I was having difficulty having 12 things to say a year.
I spent 12 years traveling more than six months a year. I really needed to see the world.
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