Good novel is a conjunction of many factors, the main of which is, without a doubt, hard work. There are many things behind a good novel, but in particular, there is a lot of work - a lot of patience, a lot of stubbornness, and a critical spirit.
There are many things behind a good novel, but in particular there is a lot of work - a lot of patience, a lot of stubbornness, and a critical spirit.
A good novel is a conjunction of many factors, the main of which is without a doubt, hard work.
My writing process hasn't changed - it's is the same whether I'm working on a Y.A. novel or, as now, a new novel for adults. A lot of reading, a lot of research if the subject warrants it, a lot of sticky notes and scraps of paper - and get to work.
Anytime you're rewarded for the success you have, you're going to be happy because you put the body of work in. A lot of hard work. A lot of training. A lot of things you do behind the scenes.
Writing a novel is so hard, and there are so many problems that the last thing you're thinking about is adapting this mess you have on your hands as a movie. You just want to get it to work as a novel. That's your main focus.
I had a lot of success in big tournaments as well - won Masters Series in Rome - so a lot of things are coming together. I've done a lot of hard work in the off-season. A lot of physical work, a lot of work on my serve and on my return game.
There's a lot of work that goes into it - if you think about how many collections a year that Karl Lagerfeld has to do, with Chanel and all the other things he does - you can't do that unless you are working 18 hours a day. It's really a lot of hard, hard work.
I don't have much patience as I really like to work a lot and it is really hard to work a lot in movies because you have to have patience - every movie is a huge test of patience.
I can have people around a lot more because I'm not always chasing them away so I can work on my novel. My non-novel, I mean.
When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
I've sold too many books to get good reviews anymore. There's a lot of jealousy, because [reviewers] think they can write a good novel or a best-seller and get frustrated when they can't. I've learned to despise them.
My job is to make people dream. Of course, there's a lot of technical stuff behind the scenes and a lot of hard work behind it, but I get to watch people see the result of that hard work and feel that wonder and feel that discovery, all the time.
For my part, the good novel of character is the novel I can always pick up; but the good novel of incident is the novel I can never lay down.
The art of the novel, however, has fallen into such a state of stagnation - a lassitude acknowledged and discussed by the whole of critical opinion - that it is hard to imagine such an art can survive for long without some radical change. To many, the solution seems simple enough: such a change being impossible, the art of the novel is dying.
Each film needs a lot of struggles and a lot of hard work from so many people.
I have a lot of things to work on, a lot of things to get better at, which is good.